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Hoagman's Tour Diary
Here is where you'll find all the wacky tales from the road and learn of all the inner workings of the four Full Service dudes. Usually written by Hoag the Warrior Poet, you might just learn more than you wanted to, but here at FS, nothing is too embarrassing, too graphic, or too stupid to post. So grab some green tea, put on your favorite FS CD, and read on. . . Listen while you read:
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We are in the midst of a global energy crisis, and as such, Full Service has committed itself to finding ways to reduce its carbon footprint whenever possible. So, instead of buying another gas-powered generator, we’ve decided to go with the electric Xantrex Power Generator, a 1500-watt rechargeable battery that is smaller, lighter, quieter, and completely free of carbon emissions. It is equipped with a sealed, non-spillable AGM battery, two three-prong AC outlets, a padded grip towing handle that is removable for easy storage, and built-in side handles that allow for easy lifting.
Thank you.
There are career goals and there are artistic goals. Career-wise, we went into this with the hopes of one day being as big as bands like the Red Hot Chilli Peppers or 311 or The Police. We've always believed in ourselves and our artistic capabilities, so in that sense we look at the big boys as our peers, as bands to compare ourselves to. Sure, they're big and famous, but when it comes down to it they're just dudes that make really good music. We know other bands on the small level that we feel are just as good as the big fish, and it's just a matter of getting discovered and getting that chance. Through hard work, intelligence, and perseverance, those small bands can increase their chances or getting that chance. So our goal has always been to take this thing to the biggest level we can, while at the same time preserving our independence in terms of musical integrity, not "selling-out" to radio, being as self-sufficient and in control of our own operations as possible. What we've learned since the beginning is that this is a lot harder than we thought it would be. Talent doesn't automatically give you a chance, there's business saavy, marketing, and luck involved, too. Well, the internet connects you to a lot of people, but it can also bring you farther away from the people. Promoting your band exclusively behind a desk, with myspace messages or whatever, has never been our style. We prefer to combine this with real, face-to-face interaction. Takeovers are so empowering. We don't need to book a show or corner ourselves in a particular time-slot, we can just find a place where there are lots of people gathered (concert parking lots, parks, art festivals, etc) and set up and jam. Also, the fans we make from playing takeovers become such hardcore fans, because they've really been a part of something spontaneous. They go home and tell their friends about the crazy stunt they saw that day. They offer to help us unload and hand out demos and all that. Plus, we can talk to them face to face, and we establish a more meaningful connection than the one that exists in the virtual world. Bonesaw has an odd combination of sensibilities. He's a balladeer but also a shredder. I'm sort of the same way. I also have a deep interest in improvisation (especially vocal) and different melodic traditions, such as jazz (nina simone, billie holiday), qawwali (nusrat fateh ali kahn), even stuff like john denver and old French singers like edith piaf. Twinky-P is very well-versed in funk lines and syncopation. Maybe because he's half Colombian. And smell, like me, brings a sort of primitive approach to performance and music-making. He has a very keen ear for what's interesting and what's sort of normal or stock or unacceptable. Bonesaw writes songs with only his guitar, he rarely writes vocal melodies or lyrics. Because of this, his compositions really could exist without any other accoutrement. His melodies are IN the riffs and the guitar parts. Then I'll go ahead and bring put some vocals on top. I like to think of it like the vocals are hidden in there somewhere, and I have to coax them out. I'll just listen to his parts for a while and wait for the melody to reveal itself. It's always buried in there, and when it peeks it's head out, I put words to it and sing it, and the song rises to a new level. When I write songs on guitar, I write more traditionally in the "chord-changes" kind of way, which leaves way more room for creation of melody. I like both ways of doing things. We're sort of like Voltron. Each individual is great, but when we get together and morph into one huge individual, we become super You have a large repertoire of videos online. How did that come about? Videos are a great way to involve people in the process. They can see what it's like making an album, touring, etc. We just thought it'd be fun to give our fans a glimpse of our life and journey as a band. We also use it to make commercials for our shows, and we've even staged mock press-conferences to announce big news, like the Takeover Tour. Where do you see yourself in the history of music? This may sound egotistical, but I think we all really believe in ourselves, and believe that we have something amazing to offer the world in terms of musical expression. We're not in this to party, we're in it to inspire people, make them move, make them feel, make them think. But I mean, if we never get this music out there to the large number of people we hope to, then that doesn't really change the fact that we made this music. It exists in the world now. We dug deep within ourselves and made music out of thin air. It didn't exist before, and that's kind of cool to think about. Also, it's all about the process...the process of making the sounds and the melodies and the beats and the words, so in the end, no matter what happens, we engaged ourselves in that process, and it will have been a personally fulfilling journey regardless of whether we have an impact on the history of music.
Full Service regrets to inform our fansaws that on October 23rd, 2008, our beloved generator, “Genny,” was laid to rest in Amherst, Massachusetts. The circumstances of her passing are somewhat mysterious. The story goes like this… On October 21st, we staged a Takeover on Boston Commons. Genny did wonderfully, powering us for 5 songs before a policeman on horseback ordered us to stop. We packed her into the Whale and went to the “The Middle East Club” for our official show that night. On our way out of Boston after the club show, somewhere on Interstate 90, we noticed the smell of gas coming from the back of the Whale. When we arrived at our hotel, Twink and Smell unloaded Genny to see what was wrong. Nobody was prepared for what came next. A tube connecting the gas to the engine had been severed, and poor Genny had become a victim of the generator equivalent of “bleeding to death.” We rode with Genny to our show in Amherst, where we took a closer look at our options. After this follow-up inspection, however, it became clear that Genny’s time had come. Repair was not a feasible option. We would have to move on and purchase a new one when we returned to Austin. It seems callous, we know, to simply have left her on the side of a random road in Amherst, Massachusetts. Genny is surely deserving of a proper burial, but touring leaves little room for doing anything “properly” (eating, showering, etc.) Genny’s life was one of dedicated service. I can still remember the day Smell brought her home from the hardware store. In anticipation of doing a Takeover during the 2006 Austin City Limits Festival, Bonesaw had given Smell the job of finding an affordable generator in the next week or so. We didn’t expect Smell to find one so quickly, and at such a bargain price of $250. Bone and I were sitting in the living room of FS headquarters when we saw Smell walk through the front yard with a big box in his arms. I ran over to open the door for him and he carefully set it on the ground. He popped back up, his hands on his hips; the stance of a proud parent. “Look what I got!” he exclaimed. Since that day, Genny has been the MVP of such historic FS Takeovers as Austin City Limits (2006 and 2008,) the Barton Creek Greenbelt, NC-State, Auburn, Providence, Boston Commons, and of course the entire Takeover Tour. She wasn’t perfect. She blew a spark plug at our first Takeover Tour stop in Philly, and a few weeks ago her gas meter became permanently stuck at half full. While she was alive, these failures were annoying; her blown spark plug in Philly cut our set short and made for a rough start to the tour, and her broken gas-meter was an obvious inconvenience (how were we ever supposed to know if we were running low on juice??) but in her passing we can look back on these shortcomings with a laugh. And honestly, her deficiencies probably had more to do with improper management on our part. We pushed her to the limits of what she was able to handle, and considering her demanding schedule, it’s hard to remember her as anything but a true warrior and a role model for young generators everywhere. Though we will soon replace her, she will forever be remembered as The Original Generator of Full Service Takeovers. Rest in Peace, Genny. October 24, 2008 - Toursaw XII Diary Entry 3 Check off “Stoors, CT” as the first ever city that Full Service has been banned from visiting. Several forces combined to make our show at University of Connecticut a perfect storm; a private party with attendance expected to be in the several hundreds; a newspaper article portraying us (tongue firmly planted in cheek) as a bunch of ragtag anarchists storming college campuses with Takeovers and anti-establishment proselytizing; and a state police force that didn’t find it funny. Let’s take it all the way back to the beginning. A few months ago while we were planning Toursaw XII, Bonesaw contacted our cousin Zack, a junior at U. Conn., to see if he could put together a show for us when we came through Connecticut. Zack happily obliged, quickly setting up an “Event” on Facebook. As the weeks went by, the “definitely attending” replies climbed steadily, and after a front-page article appeared in the “Daily Campus” on the day of the show, more replies started pouring in. But there was a problem. Campus and State authorities were completely freaked out by the newspaper article, which you can read HEAR, and which anyone can tell is completely benign. References to “Takeovers” and “guerilla tactics” and “anarchy” were taken way too seriously (we’re talking about these ideas in a musical context, after all,) and the faculty reps at Student Affairs ended up calling the State Police. Next thing we know, we have Zack calling us, saying that the party has gotten way too big, State Police have shut it down, he’s been ordered out of his apartment for the weekend (Banishment!? Deportation!?) and the streets around his place have been blocked off in preparation for what the police are sure is going to turn into some sort of counter-culture riot. Zack had also been warned by the State Police that if “Full Service shows up in Stoors, they will be arrested.” Uhhh…..what? Ok, how did this happen? If all this hullabaloo has to do with underage drinking, then fine. But if this really has to do with a band coming into town with some sort of subversive, “anti-establishment” message, then….wow. I don’t even know what to say. “Cool”? October 18, 2008 - Toursaw XII Diary Entry 2 I knew right when we stepped into this place that this was a house of “good” beer. I glanced towards the coolers behind the bar and was delighted to discover that I couldn’t pronounce any of the brews. Most were imported. And the ones I could pronounce had very interesting labels, a tell-tale sign of a quality beer. (They say never to judge a book by its cover, but I think covers speak volumes.) When the bartender gave us drink tickets, I knew it would be a fun night. Aside from the free brewskies, we had some old friends in the crowd. Norman Singer, whom Bone and I consider a Grandfather, made the trip out, which is impressive considering he’s 85 years old. I’m not saying 85 year-olds can’t go to bars, I’m just saying it’s impressive when they do, and it’s to be commended. Our old Nantucket pal Magic Melly-Mel came out (we met her while visiting the island on our very first tour back in 2005.) We were pleased to hear that she is pursuing a law degree so that she can fight white-collar crime and force corporations to become more responsible for their actions. And finally, little Sully, aka Matt Sullivan. (The song “Sully’s Wedding,” off Recess, was written for his older brother’s wedding.) You might recall seeing Matt and his brother’s band, The Hall Monitors, at this years South By Southwest Takeover on 6th street. And we played with them at Rockin’ Tomato, too. The Quarry House was a bit slow that night, but we wouldn’t have cared if it was only those 3 great friends out in the crowd. The bartenders kept (unnecessarily) apologizing to us because of the low turnout, and told us to make sure and route through here on our next tour. They’d help promote. They all bought CD's. We told them of course, and thanked them for the free beer. Onward to Philly to stay with Momsaw and Dadsaw! It’s always fun staying with our parents for a few days. Good company, good food, good beds, good internet access, good laundry. The plan while in Philly was to record a few songs with Morgan (the man behind the Takeover Tour Documentary) at his studio, play a show at the college where he works, do a lunch-time performance at my and Bone’s old high school (Germantown Academy), and play Frisbee golf and whiffle ball. So first things first; the recording sessions. This video can describe it better than I can, so check it out HERE. Suffice it to say, Morgan has already made “Trumpets” and “Tomatoes” into big, chunky masterpieces, and it hasn’t even been mixed yet. Many, many, many thanks to Mooger for doing this for us in the free time. He also made us record (pssh…as if there was any arm-twisting involved) a slow version of “Freezing Dub” so that he could have something to play around and get crazy with. (Think delay pedals, reverb, effects, effects, effects.) In between the recording sessions and our performance at our old high school, we did a radio show at Mooger’s college. For a while there wasn’t even an interviewer in the room with us. It wasn’t live, so they just shoved us in there and had us interview ourselves while they recorded it. We spent most of the time playing a game of Full Service “True or False” (True or false, last Christmas Bonesaw got Smell a laundry basket and a redeemable coupon to do Smell’s laundry for one year? TRUE.) When the game ran its course, Josh and Brian came in to ask us some questions. We happily obliged, and wondered allowed what took them so long to get in here and break up our ridiculous game of FSTorF. The next afternoon we headed to Germantown Academy for what would prove to be a very strange, rewarding, and exciting homecoming…more to come later. October 9, 2008 - Toursaw XII Diary Entry 1 You know the story by now. The first few days of a tour are usually all about long drives, rest-stops, and hotels. We left for Toursaw XII on Saturday the 4th, and our first showa live radio performance on WEGL 91.1 FMwas to be on Monday the 6th in Auburn. Saturday and Sunday held no prospects for fun other than the brief tomfoolery we all somehow manage to engage in at rest stops (the “claw-prize” game, for instance.) But Sunday, about an hour into our drive from Baton Rouge to Auburn, we heard a frantic car horn to our left. When we spun our heads in that direction, we were met with funny-faces and laughter from our friends The Ugli Stick, a great band out of Mobile, AL. We motioned to pull over at the next rest stop so we could figure out how this uncanny crossing of paths came to be. Turns out the Stick had a show in Baton Rouge the night before (damn, we could have gone!) and now they were headed to play the “Bayfest” in Mobile. Since we were going to drive through Mobile anyway, we decided to follow them there and hang out backstage with them and watch their show. Their set was fantastic and it provided a much needed break from the odor and claustrophobia that is the White Whale. After the prolonged pit-stop at Bayfest, we continued on our way to Auburn, where we spent the night and planned our on-campus activities for the next morning. Perhaps “activities” is the wrong word. The reader, I’m sure, is aware that when Full Service talks about colleges campuses and “activities,” it is really talking about a…(drum roll)….TAKEOVER. So we rose early on Monday morning and headed to campus to scope some possible locations. We have been to Auburn before, so we knew that the main quad was where we would find the highest foot-traffic. The real question was, how do we get the Whale as close as possible so as to minimize the uncomfortable, on-foot, transportation of amplifiers and drums? It actually wasn’t very hard. People never seem to question the Whale being in a place it’s not supposed to be, probably because it looks like a university maintenance vehicle or something. We never shy away from using this presumption to our advantage. Here at Auburn we were able to pull into a restricted parking lot and live park in a permit-only loading dock located 60 yards from our Takeover location. Once we hopped out of the Whale, though, our true identity was revealed, and the confused, suspicious looks started coming. At this point, however, we were able to take advantage of another presumption: that we were part of some student-activities-board sponsored event. Within 15 minutes we were set up and ready to go, and we decided not even to bother moving the Whale out of it’s restricted parking space. Usually, after we unload, we’ll park the Whale away from the premises in a legal parking spot, but for some reason we didn’t feel this was necessary this time. (Are we getting a bit too comfortable with this whole Takeover thing?) We had to wait a while for classes to get out so that we would get high foot-traffic. To prepare for the pedestrian onslaught of the student body, we made a huge “FREE CD w/ EMAIL” sign, and set up a booth near our gear where people could trade their email for a demo. Usually we have a helper on tour with us who hands out demos and collects emails, so we were worried about how effective the sign would be. At approximately 12:45pm we leaned down to turn on the generator, when a bicycle cop casually rolled up and stopped directly in front of us. Ouch. At approximately 1:45pm, it was go time again. BUT…Smell was nowhere to be found. He had gone into the student center to read his book (“The Life of Pi”) and he knew what time we were going to Takeover, but now he wasn’t answering his cell phone, so we decided we’d have to start without him. When he eventually joined us in the middle of the first song (“Freezing Dub”), he put the blame on us, saying in fact we had never called him and that we could check his missed-calls as proof. We told him he could check our made-calls as proof, and that he knew what time we were supposed to start anyway. In any case, we decided to put the whole thing behind us and start another song. The sign ended up working, perhaps even better than a helper. People formed a long, orderly line, and we ended up getting 98 email addresses. It may be the case that a sign works better than a helper because people prefer approaching rather than being approached. Solicitation is notoriously stigmatized, but a quiet sign kind of lures. Hmm… The Auburn Takeover ended with a rather forceful shut-down by Auburn Security. First they said the word “no” four times, then they asked to see our permit, which of course we didn’t have (could we get one?NO), and then they started saying “no” a few more times. You can watch the whole thing HERE. Our whole reason for being at Auburn, of course, was to do a live radio performance on their radio station, WEGL 91.1FM. The Takeover was just a bonus. You can check out the footage of the radio performance and the interview HERE in a few days (I need to upload it first). WEGL is a really cool station, they’ve always been great to us. Many, many, many thanks to Chandler and Jill for hooking up this visit. And Jill, you did great on the hot seat. While we were at the station, we received a call from somebody who had seen us at the Takeover, and they told us that they had put together a party that night for the sole purpose of having us come and play. We of course obliged, and it turned out to be a great show. A lot of people (Chandler, most of all) got on the phone and called up their friends to tell them about the party, and in the end it was a pretty well-attended shin-dig. Next time it’ll be even bigger, I’m sure. At the end of the night I had many of the Auburnites sign my left crash-cymbal in honor of the love they’d shown us throughout the whole day. We came to campus with only a radio show booked, and we left having staged a successful Takeover and having played an intimate party. Thanks guys, we’ll be back soon, I promise. Wednesday was another long drive. About ten hours. We ended up in Raleigh, where we had a gig the following night at a club (gasp) called the “Pour House.” So many Takeovers in the past few months, not many clubs. But rest assured, when we got into Raleigh on Wednesday night, we began planning out the next day’s “activities” at NC State, located in downtown Raleigh. The process was much the same as it was in Auburn, only we have never been to NC State before, so it took us a little longer to find the right spot to target for a Takeover. Once we found that spot, it was easy. We again parked the Whale in a spot we definitely weren’t supposed to, and we again carried our gear a relatively short distance to the Takeover spot. As we finished setting up our gear, however, we were approached by a faculty member (a “collar,” as we call them. They are people to be very wary of) who told us that if we didn’t have a permit, we’d probably get shut down by campus police. The guy was cool, I don’t think he was saying he would shut us down, or even tell on us, I think he was genuinely looking our for us. We told him that Bonesaw was trying to get a permit at that very moment (Smell pointed in a vague direction) and the collar said “ok, sweet.” When he said “sweet,” we decided this was not a collar we needed to be afraid of. We went along with the Takeover, sans permit, and we were never asked to stop. (The faculty member, once he heard us playing from inside his office, probably thought Bonesaw had succeeded in obtaining the permitotherwise we would not have been stupid enough to try playing, given the warning he gave us. This man grossly underestimated our stupidity. We banked on that underestimation, and it paid off.) Again, the students formed an orderly line for the email/demo exchange (“the sign” is now an early candidate for Toursaw XII MVP), and again we made contacts with students who could help us reach even more people. A dude named Barfy was actually able to get us an interview on his radio show that night. You can watch a portion of it HERE. (Again, come back in a day and this will be an active link to the video). Barfy is an interesting guy; quiet, unassuming, and extremely passionate about music. He told us that he carries around a little notepad in his pocket, and whenever he hears of a band he’s never heard of before, he writes it down on his pad and heads back to his room to check out their MySpace page. What an active way to find and support new music. His dedication is admirable. Our show that night at the Pour House was a blast. It was a slow night, because most students had left right after classes that day for Fall Break, but we managed to get some people out who had seen us at the Takeover earlier in the day, and when we got back from the show later that night, we had received emails from students saying they had seen the Takeover and were sorry they couldn’t make it to the show, but they already had plans to go home for Fall Break. Next time we play the Pour House I’m sure it will be way more bumpin’. And by all means, we’d love to come back to the Pour House, for 3 main reasons. 1) We weren’t able to play with Doco, who was the local band scheduled to headline that night. Their bass player had actually been hit by a car earlier in the day and they weren’t able to make it to the show. Actually, the rest of the guys did make it to the show, just to see us play, which was a very cool thing for them to do. We were somewhat dismayed that they weren’t at their bassist’s hospital bedside, but they assured us that he was fine (aside from some major cuts and bruises,) and that he had wanted them to go check us out. We wish him a speedy recovery and a quick return to the stage. 2) Tim and Kristen are two of the coolest bar tenders we’ve ever met on tour. Tim loaned me $13 so I could get dinner, and he treated us to a bunch of fantastic beers (the Pour House has 30 high-quality beers on tap and I nearly wet my pants when he told us we’d be drinking for free.) Kristen was a sweetheart, too. She played MASH with us before the show and we shared much laughter. And finally, 3) Jack, the sound-guy, gave us the best soundhands downwe’ve ever had at a club. Good sound does so much for your comfort level and your confidence. It really affects your playing in a positive way. The top-notch sound was probably the reason we played our tightest, most nuanced show to date. Because Jack gave us such a kick-ass on-stage mix, we were able to do a lot more improvising and coloring. So, thanks Jack. Ok that’s it for now. Check back in a few days. More tales have yet to be told… TAKEOVER TOUR DIARY June 27 - August 2, 2008 Aug 2 2008 Takeover Tour Progress Report 14-A 1703 hours: Prepare to depart from FS HQ, this time with one more FS roadie/helper/representative. He is a veteran of Toursaw IV and his name is “Beaux.” 1704: Bonesaw asks Chito where Pukey is. 1704: Chito says he doesn’t know. Before he left for FS HQ, he checked on Pukey, who was sleeping in his bedroom. He told Pukey it was time to go, but a groggy Pukey told Chito he would drive himself over to FS HQ. 1705: Hoag calls Pukey. Straight to voicemail. 1705: Chito calls Pukey. Straight to voicemail. 1706: We have a situation on our hands. 1706: Bonesaw asks Chito to tell us again about the last time he saw Pukey. Did he say he would be here? Why didn’t Chito wake him up and take him with him? Is Pukey still mad that we didn’t play “In the Meantime” at our club show last night at the Flamingo Cantina? 1707: Hoag says “I hope not, that would be f***ing ridiculous. I told him I was sorry!” 1707: Chito answers Bonesaw’s queries with the following: I was getting ready to leave and I went into his room to wake him up. He shooed me away and told me he’d meet us there. I didn’t press the issue because I knew he was pretty roughed up from the debauchery of the night before (at our show at Flamingo Cantina). 1708: Hoag, flabbergasted, wonders internally why Chito wouldn’t call us right at that very moment to tell us we had a soldier down. Does Chito really think Pukey’s behavior is acceptable? Was he really leaving open the possibilty for Pukey not to come?? Thirteen (13) Takeovers and he’s going to miss the homecoming?? 1708-1718: Group momentarily returns to packing last minute essentials for Takeover. (Most important of which are water bottles. It’s over one hundred [100] degrees Fahrenheit outside). 1720: Pile in Whale, start engine (twiceit’s always twice), and return to discussion of what to do about Pukey. Bonesaw proposes leaving him behind, as we are already running late. Smell immediately eliminates this as an option, reminding us that we have always and will always adhere to the “leave-no-man-behind” protocol. Besides, an extraction/rescue mission will only take five (5) minutes, tops, as Pukey’s apartment is not far from FS HQ. 1721: Bonesaw opens the floor for a vote. 1722: The decision is unanimous. We will drive to Pukey’s and send a team into the apartment for extraction. It must, however, be done quickly and without incident. 1723: Arrive at Pukey’s apartment. Chito is dispatched, as he is co-inhabitant of apt. and possesses a key. 1724: It’s taking too long. Hoag sends Smell to expedite the process. Smell’s forceful, no-nonsense approach will surely lead to a quicker result. 1725: Smell and Chito usher Pukey out the door of the apartment. Pukey is bleary-eyed and without a shirt. By the time he reaches the Whale he has succeeded in pulling his red FS shirt halfway over his torso. It will be another 5 minutes before he completes this process. He is stuffed in the van and remarks that he has been asleep since noon and has not eaten. It will be another 59 minutes before he utters his next words. 1747: Arrive at venue and make several remarks to one another about how The Backyard has changed since 2005, the last time many of us were there. Trees have been cut down to make room for a big-box mall complex featuring corporate entities such as “Lowes” and “Rooms-To-Go.” Much of the character of The Backyard is lost amidst this bloated encroachment. 1748: Bonesaw receives a call from friend “Bill Bunch,” who attended our club show the previous evening. Bill is calling to tell us that his friend owns the Backyard. Bill has just called his friend to tell him about our Takeover, and his friend seems to think we might be able to get permission to play near the entrance to the venue. We should call his wife, Sandra, to discuss further. 1749-1752: We briefly discuss whether this is acceptable. Doesn’t the legitimacy of a “Takeover” depend on one’s NOT being given permission? And furthermore, if permission is NOT granted, wouldn’t that count as our warningi.e., if we tried WITHOUT permission after we were told “No,” wouldn’t we immediately be shut down and possibly handed over to the authorities (somewhat glamorous, yes, but in the end a big hassle)? 1752: We decide to go forward with the call to Sandra. (For justification of decision, see “Areas of Success,” below) 1752: Sandra doesn’t pick up. 1753: Drop off Smell at “Lowes” to go to the bathroom. 1755: Bonesaw’s phone rings. It is an obnoxious ring-tone, but we celebrate when he exclaims, “It’s Sandra!” 1800: Bonesaw exits Whale and engages in animated conversation with Sandra in Lowes parking lot. 1802: Smell returns. 1803: We send Smell to eavesdrop on Bonesaw’s conversation with Sandra. 1805: Smell returns with the following intelligence: All I heard was Bonesaw say “Great! GREAT!” 1807: We interpret this as a positive sign. Bonesaw remains on phone for approx. three (3) more minutes. 1810: Bonesaw returns to Whale with excellent news. “She said we could come in and play on the Glenn!” 1811: Hoag is confused. “What is ’The Glenn?’” 1811: Bonesaw explains. “It’s the lawn right inside the venue.” 1812: Hoag no longer confused. 1820: Live-park Whale next to venue while we wait for Sandra to arrive. 1833-1845: Continue waiting for Sandra. We grow restless. Fiction Plane goes on in an hour, and every minute that goes by is a minute we could be jamming. 1845: Twink is literally bubbling with excitement. There are bubbles coming out of his ears. 1845: Sandra calls. They have to ask 311 if this whole thing is ok with them. We are confident that 311 will approve, thanks to a chance, highly serendipitous meeting that Bonesaw had with 311 guitarist Mahoney (311 guitarist) at the Apple store yesterday. (Tim and drummer Chad were buying an iPhone and Bonesaw and Morgan were buying a new hard-drive on which to store more footage. Tim was very cool and gave us his email address and 311’s manager’s email address and phone number. Tim opens up the possibility of us playing with them on their 2009 summer tour. Bonesaw expresses concern. Would we have to play inside the venue? We kind of have a good thing going on in the parking lots. Tim assures us that we could keep the Takeover thing alive, but maybe they could put us on the official bill, give us a stage to play on, a PA to play through, etc.) 1848: Word comes back that 311 is cool with it. We are a “go.’ 1848-1858: Load in our equipment through the front entrance, the same entrance that concert-goers are using. It is a bit chaotic and there are a lot of confused faces. Is this really happening? Is Austin this cool? 1859: Begin jamming triumphantly. 1910: Begin to experience mild dehydration. We left those water bottles in the Whale. 1914: Throat raw. 1919: Running out of sweat. 1920: Joe Sumner from opening band Fiction Plane comes out to say hello and playfully give us the finger. We played with them in Houston a few months ago. They will be taking the stage in about 15 minutes. 1929: Wrap up our set with “3 Will Ride Forth”. 1945: Ask venue representatives where we should load out. They usher us backstage to load out. Sweeeeeeet. 1950: Carry our gear past Snoop’s Bus. You can smell it from 50 feet away. Sweet, tangy. It is no wonder he got stopped and searched by Police in Dallas. 2000: Finish up loading the Whale and ask venue representatives what we should do now. 2002: They usher us into the backstage lounge area. Tiki Torches. Oak trees. Cabins for each of the bands. We join our friends from Fiction Plane, who have just gotten off stage and are grabbing beers out of their cooler. 2003: They offer us some beers. 2003: We accept. 2004: Everybody realizes we don’t have a bottle opener. 2005: Seton, their guitar player, opens them all with his teeth. We are all extremely impressed. Two days later Hoag will try to impress his friends with the same trick and the results will be near-disastrous. 2005-2029: Much milling about and observing. Snoop’s cabin is surrounded by four (4) men. Avg. height? Seven (7) ft. Avg. weight? Three hundred (300) pounds. They are dressed in light gray pinstripe suits and red ties. Perhaps a little bit over-the-top, but very impressive indeed. 2029: Hoag makes mental note. Find out where they got those suits. 2030: The lights dim. Snoop’s intro. theme starts playing over the loudspeakers. 2031: Snoop walks past our (ok, Fiction Plane’s) cabin with his head bowed and his hands held loosely together near his face. He is traveling at an approximate speed of 1 foot per 5 seconds. He is wearing a Terrell Owens Jersey. 2031: Smell gives a loud “wooooot!” 2031: Snoop raises his left hand and slowly pumps the “o.k.” sign. 2038: Snoop takes the stage. 2038-2138: Watch Snoop’s set. 2138: Snoop wraps up his set. 2139-2145: Hang out some more. One of Snoops four (4) security monsters passes by us. Smell asks him if he is hot in his suit. Security monster launches into an explanation of how the suit is actually very comfortable. The fabric breathes, and as air enters the baggy pant legs, it interacts with his sweat and cools his entire body. 2146: Hoag arrives at the scene too late to ask him where he got that suit. 2147-2200: Wait around for 311 to take the stage. 2201: 311 takes the stage from a back door on the other side. We watch a few songs and take off, as many of us have to catch flights out of Austin the next morning. The Takeover Tour is over, and we’d say it was a success. Stats AREAS OF SUCCESS: Quick set-up. High caliber of rocking. Were able to establish a location inside the venue thanks to a last-minute connection made with owner of venue. Made ourselves visible to concert promoters, band managers, band members, etc, which firmly placed us on their radar. Must not forget, however, that our primary goal was to reach new fans, and in this area we scored great success as well. Everybody who entered the venue between 6:50 and 7:30pm saw us jamming and was given a demo. Response was positive. At the next day’s concert (311 again played the Backyard), Twinky-P saw 3 people he didn’t know wearing our shirt. Opening band Fiction Plane gave FS a shout-out during their set. Also was told by venue representatives and concert promoters that our “Do-It-Yourself” ethic was highly admirable and inspiring. Permission decreases “Takeover” factor, which troubles us greatly, but we console ourselves with the fact that the venue still didn’t know about us until the very last minute. In fact, perhaps same-day permission should really be considered the ultimate in infiltration technique. We blindsided them with a proposal, and Austin being Austin, they accepted. Had permission been given the day before, we would have been hard-pressed to call this a “Takeover” in good conscience. AREAS OF FAILURE: Could have gotten more emails, but...who cares. They live in Austin, they’ll see us around. Forgot to bring water, and dehydration became an issue. Throat raw, body’s cooling system ineffective. REASONS FOR FAILURES: FS representatives busy rocking out, as it wasafter allthe last takeover of the tour. Excitement, quickness of set-up was most likely what led to our leaving our water bottles in the Whale. PERCENT SUCCESS: 96%
Takeover Tour Progress Report 13-A 1730: Pull up to venue gates and discover that parking will cost $15. We want to avoid this cost if we can. 1734: Hoag and Pukey are dispatched to inquire of alternative parking options and investigate the tailgating scene. If tailgating is allowed, we will take the financial hit and pay the $15. 1735: Parking lot attendants inform H and P that this is the only available parking. 1737: H and P approach tailgaters and ask if tailgating is allowed in the parking lot. Tailgaters answer with an affirmative. 1740: H and P bring information back to Whale (live-parked in apartment complex across the street). 1742: Collectively decide to spend the money and park in venue lot. 1744: Chito hands $15 to parking lot attendant. 1744: Parking lot attendant says we must pay $30 because of our trailer. 1745: Chito attempts to negotiate. 1745: Parking lot attendant calls her boss over. 1745: Boss says “$30”. 1746: Bonesaw says “Just pay it, we don’t want to be on their radar for any reason.” 1746: Smell says “too late for that.” 1748: Chito hands over the $30. 1750: Park Whale near back of lot. 1801: Run into the guys from “Egress”, a band from Dallas who is opening for us tomorrow at the Flamingo Cantina. 1807-1811: Have a football catch with some concert-goers. Start handing out some demos and generating some buzz. 1815-1835: Hoag gives Morgan a tour of the Whale for the documentary. It is so hot in the Whale that the hard-drive on Morgan’s camera overheats momentarily. 1842: Bonesaw makes the “go-time!” call. 1842-1852: Load our gear onto a large patch of curb-framed grass near center of lot. 1850: Police see us and don’t seem to mind. Set up continues at a brisk but stress-free pace. 1855: Begin jamming. People gather and take pictures, video, and dance. The vibe is right. 1906: Bonesaw makes first complaint about heat. Asks for a sip of my water. I give it to him. 1915: Bonesaw makes second complaint about heat. Takes another swig. 1920: Twink makes first attempt to get us to play “I’ll Never Be Saved” 1920: Bonesaw ignores him and plays “Battleship” 1925: Twink makes second attempt to get us to play “I’ll Never Be Saved” 1925: Bonesaw ignores him and plays “Subterranean” 1929: Twink finally succeeds in leading us into “I’ll Never be Saved.” 1930-1949: More jamming (“Tea Has Bubbles”, “Hotter in the House”, “Freezing Dub”, “Hi-Ho”, etc.) 1950: Bonesaw tells the crowd “We got one more for you, it’s called ‘3 Will ride Forth’” 1951: Chito begins waving the “Can’t Stop the Takeover Flag” 1952: As Chito finishes waving flag, venue security representative approaches with 3 police escorts. She waves us off. 1952: “Ya gotta stop” 1952: We stop. 1954: Hoag overhears her saying “The band has been shut down” into her walkie-talkie. He tells her she’s won the battle but we’ll win the war. Then he thinks to himself, actually I think WE won the battle. We played 13 songs. He smiles internally and begins unpacking. 1955-2009: Pack up and head home to Austin for the welcome-home show at the Flamingo Cantina. Stats AREAS OF SUCCESS: Full set. Played on grass, which is always nice. Great response from people. Really bonded with some of these folks (football catches/sincere well-wishes/etc). Nobody seemed obnoxiously drunk. Got a near record # of emails. AREAS OF FAILURE: Set up under the direct sun and suffered severe bouts of dehydration. REASONS FOR FAILURES: There was no shade anywhere in the parking lot. PERCENT SUCCESS: 85% July 30, 2008 Takeover Tour Progress Report 12-A 1345 hours: Leave Baton Rough with Intelligence from Houston Myspacer that there is usually great tailgating going on at the Race Park. Spirits are high. 1645: Receive email dispatch from a different Houston source (“David”) telling us that the people at the Race Park are “assholes” and they don’t allow any tailgating whatsoever. David will meet us at the venue to help with logistics. 1750: Pay $5 to Race Park parking lot attendant and pull into a space. There is zero tailgating going on, and police are patrolling the area in squad cars. They smoke cigarettes. They look old and gnarled. They are ready to bust you. 1754: David approaches us on foot with the following intelligence: There are two entrances to the venue. The North entrance is the most popular, and the East entrance is only for will-call ticket pick-ups. 1758: Walk over to North entrance. Considering the intelligence, and the no-tailgating policy, we decide there is only one option available to us: set up off to the side of this entrance and jam for people as they approach venue gates. 1806: Head back to the Whale to unpack our gear. 1806: Smell opens the trailer and grabs the grocery box. He is about to set it on the ground when a middle-aged police officer with leathery skin, a cigarette, and tattoos on his forearms rolls up in squad car with the following proclamation: No tailgating here. Put that away and close it up. Don’t stand around here either. (Rolls off). 1807: Head back to North Entrance where Bonesaw is waiting and tell him we won’t be able to make this happen. Security too tight. 1807-1811: Stand around wondering what to do. 1812: Monster Energy Drink promotional vehicle rolls up to North entrance and begin handing out free cans of their preposterous beverage. We all decline. 1814: Hoag asks them if they have permission. Monster Energy lady replies with a monstrously energetic “yes!” 1815: Monster Energy lady asks us who we are. Are we with the venue? We reply in the negative. 1816: She says she doesn’t believe us. We assure her we are not trying to bust her. After we tell her what it is we’re trying to do, she says she believes us, and also says that in fact she and her co-monster do NOT have permission. We laugh and walk away. 1826: Venue Representative approaches monster ladies and kicks them out. 1827: As she climbs into her monster truck, monster lady shoots us a dirty look. 1827: We throw up our hands. 1828: What to do? Smell and Hoag take a walk towards the will-call window to explore options. 1829: Hoag proposes an outlandish idea that begins with “This might be stupid, but…” He wants to empty the Whale of all benches, load it with generator, amps, PA, and stripped-down drumset (kick drum, hi-hat, snare), roll up to North entrance, have Twink and Bonesaw throw open the Whale doors, and start rocking peoples faces clear off their faces. 1830: Smell answers with a few “maybe-that’s-not-such-a-bad-idea” nods of the head. 1835: Smell and Hoag return to the group. They all answer with similar nods. 1842: We work out the logistics. We will take the Whale and trailer outside of the venue and park it in a nearby soccer field parking lot while we load the trailer with the Whale benches, our luggage, groceries, and everything else. 1850: Begin the switch. 1856: Realize that not everything will fit in the trailer. David Sha (you all know Sha) volunteers to stay behind during the takeover and keep and eye on our stuff. 1900: Experiment with different configurations inside the Whale. End up putting the drums by the side doors and the amps in the rear, facing the back door. Stuff the PA in the front passenger seat. It is cramped and Hoag and Smell must crouch in order to play, but this will work. 1906: Mexican family that is barbecuing and joyriding the soccer field on a golf-cart asks us just what the heck we are up to. We tell them and they get excited and wish us luck. 1915: We give it a test run. It sounds great and we think it will work. 1920: Get ready to pull out of the soccer field parking lot but realize we forgot to tape the banner to the side of the Whale. 1921: Smell and Chito hop out and apply an obscene amount of duct tape to the banner. It runs the length of the non-door side of the Whale and it looks awesome. 1922: During banner application, Hoag sits in the Whale on his drum seat and thinks about how he’s going to play his drum parts with only a kick, snare, and hi-hat. It concerns him momentarily, but in the end he decides that this is really the least of his concerns. Fumes from the generator pose a must greater danger not only to the quality of his performance but to his physical well-being. 1923: Chito and Smell hop in and we drive slowly out of the soccer field parking lot over to the venue. 1925: Bonesaw raises a troubling possibility. Security might think we are terrorists. Especially when we bust the doors open and start making a ruckus. 1928: Hoag asks if there’s a possibility we might get shot. If there is, he’d like to make a few phone calls first. 1930: Smell says don’t be ridiculous. If we did get shot it would probably only be with a taser or rubber bullets. 1930: Hoag is surprised to discover that this in fact does ease his mind. 1931: As we pull into the venue, adrenaline is high, and Bonesaw decides that this must be what it’s like moments before robbing a bank. We all agree that this is an apt comparison. Though none of us have been involved in a bank robbery, we’ve seen enough movies to know the general vibe. 1932: We arrive at the North entrance. We shout instructions to each other in our six inch voices. Hoag gives the word and Twink opens the rear door to start the generator. 1932: Bonesaw and Twink turn on their amps, which take a while to warm up. This is normal, but never before has it really mattered. Now that the generator has been started, our cover is blown, and every second that passes is a second that we could be jamming. It seems like 10 minutes pass by before the amps are primed. Actual warm-up time is probably 10 seconds. 1933: Hoag counts into “Don’t Deny” and Twink and Bonesaw bust through the side doors. 1933: People begin rocking 1934: Venue security representative approaches with a walkie-talkie. She is laughing and begins to take pictures. She mouths to Twinky-P that we can play ONE SONG. 1936: Conclude “Don’t Deny” and venue lady says “A+ for effort guys, but you gotta leave, this isn’t allowed.” 1937: Bonesaw and Twink hop back in. Chito flips the Whale around and jam “Trumpets” on our way out of the venue parking lot. People flash the “rock-on” sign as we leave. We have succeeded in introducing our little piece of chaos to the world. 1945: Pukey returns from parking lot with news that he has been kicked out by a sheriff. (We had left him behind to finish handing out quota of demos). 1946: We congratulate Sir-Pukes and begin the repacking stage. 1947-2007: Re-pack and head to Twink’s parents house for home-cooked spaghetti. Stats AREAS OF SUCCESS: Never said die. Managed to pull off two songs amidst a highly-secured atmosphere. Got some excellent footage for the documentary. Had to employ new takeover techniques, new modes of creative thinking and problem-solving, and new musical interpretations of our songs due to limited drum and vocal set-up. Proved once and for all that you really “can’t stop the Takeover.” AREAS OF FAILURE: It’s hard to talk about failures with a Takeover as ridiculous and energized as this one. REASONS FOR FAILURES: If “not getting to play a full set to hundreds of tailgaters” is considered a “failure”, then the reason for this failure must be the Sam Houston Race Park’s zero-tolerance policy on tailgating. PERCENT SUCCESS: 70 Takeover Tour Progress Report -A 1745 hours: Grab parking spot near venue. 1746: Pile out and head over to the parking garages. (We had received advanced intelligence from a myspace liaison that tailgating was a no-no here and that parking garages would make it difficult to reach a large group of people at one time.) 1750: Enter West Garage. Clearly not the place to play. If we set up on a level, we would only reach the people who were in those cars, and only briefly. People from cars on other levels would take stairs down, and nobody would want to hang out and listen anyway because it’s hot and stuffy in these things. 1754: Bonesaw and Chito form reconnaissance team and head to north entrance of venue. 1758-1806: To pass the time, Smell and Brett play some type of “balance-yourself-on-the-sidewalk” game. Whoever falls off first loses. Hoag is the judge. Brett wins. 1806: Bonesaw and Chito come back with bad news; the scene at the north entrance is bunk. 1807: Collectively decide thatconsidering the possibility of rainit would be best to set up underneath the overhang of a building adjacent to the west entrance of the venue where people (a trickle, not a flood) are heading into the concert. 1808: Collectively decide that it is going to suck having to carry all our gear from where we are parked (approx. 200 yards from set-up location). 1812: Begin unpacking. 1824: Hoag finds warm beer from 3 days ago during the unpacking process. 1824: Morgan warns him that it will probably taste bad. 1825: Hoag trusts Morgan’s beer-advice, and asks him whether the warm beer will make him sick or harm him in any way. 1825: Morgan replies in the negative. It will only taste bad. It will taste good on the front end, but terrible on the back end. 1826: Hoag takes a moment to deliberate. 1826: Hoag decides to chug it. 1828: It tastes good at the front and absolutely horrible at the back. He regrets his decision. 1829: Morgan gives Hoag an “I-told-you-so” look. 1836: Finish setting up, turn on the speakers, and let it rip. 1841: Male representative from venue approaches us after first song. Says he has no problem with us jamming, but we are not allowed to sell anything. We agree not to sell anything and he wishes us well. 1842: Bonesaw says “That guy’s cool.” 1842: The rest of us agree. 1843: Continue jamming. Not much energy from concert-goers, but we bust out some rarities (“Legs”, “Blueglass Lake”) 1851: Pukey gets rejected on demo-giveaways 4 straight times. It is caught on film in slow motion (60 frames-a-second) and later we all have a good laugh. (“Noooooo thaaaaaaaanks. Iiiiiiiiiiiiii’m cooooooooool, maaaaaaaan.”) 1852: Play “Legs” 1857: Play “Subterranean”. Twink misses all 8 notes of the intro. 1901: Finish jamming and wrap it up. 1902: Lester the venue security guard calls Hoag over to tell him he “enjoyed all the a capella”. Hoag contemplates telling Lester that we never once did any “a capella”, and that any vocals he heard were always accompanied by an instrumental, but decides against it. 1902: Lester offers to let us pull the Whale directly to our set-up location. 1903: Hoag thanks him with a “Recess” CD. 1904: Hoag and Pukey go to get the Whale. Hoag makes several turns down one-way streets. Pukey reprimands him every time. 1908: Hoag and Pukey return. The rest of the crew has everything ready for the load. 1911: Finish loading gear into Whale and drive off waving the flag. Nobody is around to see it. Stats AREAS OF SUCCESS: Got to play a full set. The venue was cool about it all. Handed out demos and got emails, like usual. AREAS OF FAILURE: There was no tailgating, so people were streaming directly into the venue, and they were extremely sober and not buzzing with excitement. Sort of a Virginia Beach vibe to this one. Didn’t get as many emails as we’d have liked, but we made something out of nothing. REASONS FOR FAILURES: No tailgating. No central parking area. No central approach to venue, either. Passersby were more scattered than usual. Overcast skies contributed to a general malaise. PERCENT SUCCESS: 60 Takeover Tour Progress Report 10-A 1635 hours: Pukey checks Doppler as we pull into Atlanta. Doppler shows a storm skirting the edge of the city. There is a 50% chance that the storm will dump on us and we’ll be shut down. Which means that there is a 50% chance that the storm will leave us alone and we will take over Atlanta under sunlight and blue skies. 1740: Pull into the venue. It is sunny, and the skies are blue. It’s warm outside, and there are people partying and playing the bean-bag game and grilling and throwing the football. 1741: Bonesaw and Chito Bambino head north through the lot to scout possible locations. 1744: Chito returns with the following intelligence: There is a patch of grass situated at a high-traffic area near the middle of the parking lot where we can set up and play. Security will most likely not be a concern, as we are a safe distance from the actual venue. 1746: This is “best-case-scenario” intelligence, and after small celebration, we pull the whale over to the spot and begin unpacking equipment. 1748: Pukey checks the Doppler again. Nothing new to report. Storm is still close but obviously not close enough. If we set up quickly we can probably get a bunch of songs in. 1749: Yank drums out of Whale. 1749: Yank amps out of Whale. 1750: Yank guitar and bass, yank microphones and cord bags out of Whale. 1752: Throw it all together. 1756: Click the “On” buttons. 1758: Drop into Battleship. 1758: Hoag’s mic-stand falls over (set-up was too hasty?) 1758: Hoag yells over to Smell. 1759: Smell comes to the rescue. 1800: Hoag thinks to himself, “That sucks for Smell. While the three of us were getting in the water, he was fixing some bullshit at the side of the pool.” 1800: Smell finishes the repair and dives back in. He is just in time for the verse groove. 1801: Crowd gathers. 1804: Crowd begins to dance. 1810: Some of the crowd comes over to give Bonesaw a kiss. 1814: Some of the crowd comes over to stick a one dollar bill in Twink’s pants, Bonesaw’s pants, Smell’s pants, but not Hoag’s pants. 1824: Hear the first rumblings of a nearby thunderstorm. 1839: End with Tasteless Gravy. 1840: Morgan tells us to play Hotter in the House. There hasn’t been any lightning yet, he says. 1841: Launch into “Hotter in the House”. 1843: Just before his solo, Bonesaw comes over to tell Hoag not to touch his mouth to the mic. Hoag regards this is as a thoughtful gesture, and is careful indeed not to touch his mouth to the mic. 1846: Finish the song and start packing up. 1850: Rain-drop falls on Pukey’s hand. It’s raining, he announces. 1851: We put the hustle on. First Mate Hoag calls for "all hands on deck!" 1858: Close the door to the Whale and start the engine. 1859: Wait! Where’s the flag? Hoag finds the flag and hands it to Twink, who is riding shotgun. 1900: Twink rolls the window down and waves the flag as we pull out of the parking lot. Stats AREAS OF SUCCESS: Quick set-up, fit in a lot of songs in a short amount of time, crowd rocked us just as much as we rocked them. AREAS OF FAILURE: Could have started earlier and ended up playing even more songs. REASONS FOR FAILURES: Took longer to get to Atlanta than we expected. Stopped in LaGrange to have lunch with Smell’s “Grandaddy” and “Mama Wadene”. The Cracker Barrel staff took quite a liking to us (it was probably the big video camera that made them think we were famous), and they sent us home with a big gift basket full of candy and junk food. They were some of the sweetest people we’ve ever come across and we’ll be stopping there again when we tour in October. PERCENT SUCCESS: 85 July 25, 2008 Takeover Tour Progress Report 8-A 311 has a day off. Widespread Panic is playing in Charlotte at the same venue, so we decide to stick around and take over that one. It feels like cheating. We already know that security won’t be a problem, we already know there will be tailgating, Smell has made sure the gas tank is full, and Hoag has already cleared out the parking lot rocks for his drum kit. It is less of a challenge, and there is less adrenaline running through our veins. There is one challenge, however. We will be playing to a jam-band crowd, and we will have to adjust our set accordingly; Aimee in Arizona, 40% chance, Twink’s Jam, Never Be Saved, Cuba, etc. Stats AREAS OF SUCCESS: Total success. AREAS OF FAILURE: Didn’t sell any merchandise, could have gotten 2 more pages of emails. Could have started earlier, since these people were heading into the venue early to make sure they got to see Widespread. REASONS FOR FAILURES: Hippies are poor? Hippies don’t use computers? The Widespread Panic crowd is different than the 311 crowd. PERCENT SUCCESS: 75 July 24, 2008 Takeover Tour Progress Report 8-A 1715 hours: Arrive. Huge parking lot, heavy tailgating. We are early and there are already many cars parked. 1720 hours: The parking lot bean-bag game is popular here. Evidently there is no better way to get amped for a concert than to drink some can-beer, cook some hot dogs, and throw a 1-pound bean bag 20 feet across the lot through a hole in a propped-up panel of plywood. 1725 hours: Talk amongst ourselves and conclude that security will most likely not be an issue here. 1726-1746 hours: Pass the time by throwing the football, then throwing the Frisbee. As the lot fills up, we are unable to send each other on long routes, making the game of catch a lot less interesting. Decide to convene and discuss where we’re going to set up. 1747 hours: Clear permission from owners of Honda Accord and Acura to set-up in front of their cars. 1751 hours: Discover that we are without gas for the generator. 1752 hours: Bonesaw gives Smell a stern talking-to regarding this matter. It is Smell’s responsibility to take care of everything “generator”. He doesn’t want to have to think about it, it should be totally handled by the Smellman. 1752-1755 hours: Things are tense between Smell and Bonesaw. 1755 hours: Smell agrees to drive to a nearby gas station while we set up. 1755 hours: Rest of us begin setting up. 1756 hours: Bonesaw notes how this set-up is slower than most set-ups, and it’s because Smell is not here. The effects of Smell’s blunder trickle down, you see. 1758 hours: Hoag clears away parking lot rocks and lays down his drum rug. 1804 hours: Smell returns and we commence rocking. All transgressions are forgotten as the groove takes us over. 1818 hours: People are dancing. And they are dancing well. Hoag thinks to himself, “there’s nothing better than when somebody dances well to your beats.” 1838 hours: Meet an interesting fellow named Bobby. He makes grilled cheeses outside of these shows and sells them for $1. He’s an entrepreneur and he’s staging his own kind of takeover. He is grilled Cheese Bobby, and he rocks. 1850 hours: As if morale weren’t high enough, Chito Bambino climbs atop the whale to wave the Takeover flag. Pukey also takes a turn. We increase our rocking accordingly. 1904 hours: We play “Trumpets” and put this Takeover in the books. Stats AREAS OF SUCCESS: Total success. May have gotten started a little late. A lot of people were already headed into the venue by the time we started playing. AREAS OF FAILURE: Forgot the gas for the generator, which ended up not being a big deal. Didn’t get a huge crowd packed around us like we got in New York, D.C., and Boston. People basically camped out by their cars, came by for a little while to dance, gave us a fist in the air, then went back to their cars for another Miller Lite. REASONS FOR FAILURES: Smell (gas can) and the style of tailgating in North Carolina maybe? (low-density crowd) PERCENT SUCCESS: 75 July 23, 2008 Takeover Tour Progress Report 7-A 1400 hours: Receive advance intelligence via myspace correspondence of heavy tailgating scene at Raleigh venue. Mood is lifted. 1533 hours: Pull into Raleigh as it starts to pour. Mood is pulled back considerably. 1534 hours: Pukey checks the Doppler on his iPhone. Data indicates that the storm will most likely pass within the next two hours. Mood rises. 1731 hours: Pull into venue parking lot, which we notice is situated across the street from venue. This contributes to a safe tailgating atmosphere, one in which authorities are less likely to be found giving a damn about what goes on. 1733 hours: Empty ourselves out of Whale into drizzly parting lot. 1735 hours: Smell takes off berks so he can walk around barefoot in muddy parking lot (a favorite pastime). 1742 hours: Bonesaw notices Smell walking around barefoot and instructs him to put berks back on. “We’re not missing this Takeover to make a trip to the hospital because you cut your foot on a piece of glass” 1745 hours: Still drizzling. Pukey checks Doppler. Raleigh is on the very edge of storm system. Enough rain is falling to make playing through high-wattage amplifiers a dangerous endeavor. 1745-1755 hours: Explore options. 1756 hours: Smell wanders into a tailgating circle and emerges with a canopy tent. Problem solved. Many thanks given to tailgating crew. They insist it is no problem and that upon the conclusion of mission we can simply repack tent and put it by their campsite. 1800 hours: Set-up tightly underneath canopy at tree-line of parking lot. Not optimum location, but definitely the most practical, as tress behind us do provide additional shelter from drizzle. 1811-1900 hours: Rocking ensues. 1900 hours: Clouds break and sunshine emerges. 1901 hours: Discuss feasibility of moving our gear into middle of parking lot. 1902 hours: We are tired and the prospect of moving all our gear 200 yards away on foot intimidates us. Briefly. 1903 hours: Collectively decide to move our gear and continue rocking. 1915-1945 hours: Rocking continues. 1945 hours: Hoag almost executes brilliant improvisation on “Undertow”, but fails to land it. Very nearly stops the song in its tracks. 1948 hours: Finish rocking. 1951-2000 hours: Load equipment into Whale. Most of it (chords, pedals, stands) is caked in mud. Hoag attempts to clean mud off with large leaves from nearby bush. In the end this proves to be only moderately successful. 2001 hours: Darkness has fallen. We wave the flag and make our way to a grocery store and purchase frozen microwave dinners, eggs and tortillas, Subway sandwiches, and fruit plates. Stats Emails retrieved for email-list: 72(68 legible, 4 llegible) AREAS OF SUCCESS: Found a way to play in the rain (thanks to a tailgating guardian angel), were up to the challenge of moving all our gear to a new place when the sunshine arrived, got an acceptable # of emails AREAS OF FAILURE: None. Hoag messed up his improvised beat on “Undertow” but that’s not a big deal. REASONS FOR FAILURES: He hadn’t played that song in a while and couldn’t find his way back into it’s groove after the improvisation PERCENT SUCCESS: 75 July 22, 2008 Takeover Tour Progress Report 6-A 1749 hours: Pull into venue parking lot and ask ourselves “where are the people?” 1750 hours: Roll down Whale windows and ask parking lot attendant “where are the people?” 1751 hours: Parking lot attendant says “the people?” 1751 hours: Smell says “yeah, the fans.” 1751 hours: Parking lot attendant shrugs. 1752 hours: Parking lot attendant points to a space. 1752 hours: Whale swims into the space. 1753 hours: Empty ourselves out of the Whale. We detect strange vibe to this place and decide to travel as single unit during reconnaissance. 1755-1810 hours: Heavy police presence/venue security presence. No tailgating observed. People are walking directly into the venue and there is zero hum about the place. It looks as though they were forced to order tickets and attend the show. 1811 hours: Hoag wonders if this is really the correct concert, and not a Kelly Clarkson concert. 1812 hours: Bonesaw confirms with radio station that this is indeed the 311/Snoop Dogg concert. 1814 hours: After much deliberation, we decide to set up by the back gate to the venue, with us on the outside of the gate, and concert-goers passing by us inside the gate on their way into the show. 1816 hours: Almost done setting up. Bonesaw is not with us, however. We establish a visual on him and see him 200 yards to the North-East talking on his cell phone. Smell bemoans the fact that our Band Spokesman is not here to talk to the police, who are heading towards us in their squad car. 1817 hours: Police park car but do not engage us. They watch. 1820 hours: Bonesaw arrives. He proposes an alternate plan that would have us setting up at the North-East corner, playing for concert-goers as they hand their tickets to the ticket-takers. We reject that plan because we are almost totally set up down here in the South-West, and we feel we might be able to get some more songs out down here. 1821 hours: Bonesaw puts up small protest, but ends up joining our ranks.“ 1825-1827 hours: Resume set-up 1828 hours: Approached by Bike cop and venue security golf cart. Cop says “I had to come over to see it to believe it.” Venue security lady laughs, “Guys, I appreciate the impromptu concert, but this isn’t allowed.” 1829 hours: Hoag takes offense at the term “impromptu concert” (It’s called a TAKEOVER!), but is able to resist correcting her. 1829 hours: Cop whispers to Smell and Twink, “You shoulda done it earlier, you could have gotten some songs in!” 1830 hours: Smell laughs and says that’s what we usually do. Explains “Takeover Tour” to Cop. Cop asks how the tour has gone thus far. Hoag says it’s gone well, but the police usually get involved. 1831 hours: Cop replies, “Ahh…cops are dicks, man.” This is officially the coolest cop in North America. 1831-1845 hours: Pack up the Whale and leave, wave the “Can’t Stop The Takeover” flag out the window. (Yes, we lost the battle, but we will win the war.) 1846 hours: Lift spirits with trip to Golden Corral. Stats AREAS OF SUCCESS: Very hard to come up with any areas of success. AREAS OF FAILURE: Indecision, slowness to act contributed to our not getting any songs in. REASONS FOR FAILURES: It was hard to get excited about this Takeover and think creatively when the energy surrounding the venue seemed to be so muted. Still, we must learn to come with energy regardless. PERCENT SUCCESS: .00098 July 20, 2008 Takeover Tour Progress Report 5-A 1745 hours: Arrive. 1746 hours: Put up posters, scout out location. 1748 hours: Are repeatedly mistaken for celebrities due to presence of expensive video cameras and our general odd-ball look. 1753 hours: Venue security approaches Morgan (movie maker) and asks for his press credentials. The conversation goes something like this… Venue Security Lady (VSL): “Excuse me, can I see your press credentials sir?” Morgan (M): “I don’t have press credentials.” VSL: “What are you doing here?” M: “I’m shooting a documentary with the band.” VSL: “With the band inside?” M: “No.” VSL: “So is the band here?” M: “Yeah they’re here.” VSL: “But they’re not inside?” M: “No” VSL: “But they’re here?” M: “Yeah they’re here.” VSL: “They’re here, but they’re not inside?” M: “Yeah they’re here, they’re just not inside.” VSL: “Well are they going to be inside?” M: “Hopefully, eventually.” VSL: “Are they on the bill?” M: “No.” VSL: “What band is it?” M: “Full Service.” VSL: “Well you need to put the camera away. And I need to call my boss to see if you need to leave the premises.” (waits for boss) Boss: “What are you doing here?” Morgan: “I’m shooting a documentary with the band.” Boss: “With the band inside?” M: “No.” BossL: “So is the band here?” M: “Yeah they’re here.” Boss: “But they’re not inside?” M: “No” (Etc, etc, etc…Boss decides he doesn’t need to leave the premises, but he must put the camera away immediately). 1755-1800 hours: We wait by the Whale for the venue security to cool out and go away. 1801 hours: Under cover of the Whale and the surrounding vehicles, we unload our gear. 1802 hours: A bunch of concert goers ask us what we’re doing, if they can play bongos with us, if we’re good, etc. They are drunk and, frankly, preventing us from executing a quick set-up. We politely tell them we’d love to chat, but we’re trying to hustle so that we can start playing and get some songs in before the venue security sniffs us out. 1814 hours: Commence jam with “Battleship” 1818 hours: “Ramona” 1820 hours: Smell fixes Hoag’s ride cymbal, which is about to fall off. 1821 hours: Hoag thanks Smell. 1822 hours: Smell nods. It was no problem. 1824 hours: “Don’t Deny” 1825-1827 hours: Twink misses multiple bass notes due to excessive rocking. This is excused because musicianship is secondary to rocking. 1828 hours: “Freezing Dub” 1829 hours: Venue Security arrives and shuts us down (They use the same “cut-it-out” hand signal that the police used in Boston) 1829 hours: Pukey leads crowd in a “Let Them Play!” cheer. 1830 hours: Some dude gets in the face of a security guard and tells him he “sucks for shutting these guys down.” Security guard shows admirable restraint and simply ignores dude. 1830 hours: Bonesaw tells crowd to please chill out, it was fun while it lasted. 1831-1845 hours: The 7-member security detail stays within 5 feet of the Whale as we pack. 1846 hours: Venue Security tells us we have “3 minutes to be outta here.” 1846 hours: Morgan says nobody told us we had to leave, only that we had to pack up. 1847 hours: Venue Security insists otherwise. 1848 hours: Hoag radios in to Chito, Pukey, and Smell, who had been dispatched at the time of shut-down to hand out demos and get more emails. 1850 hours: Chito, Pukey, and Smell arrive in the nick of time and we roll out to cheers from the tailgaters. Stats AREAS OF SUCCESS: Lots of emails, big crowd, crowd protested when we got shut down, lots of cars jamming our demos, found a way to film the performance (Morgan set up the cameras inside the Whale) despite being told by venue security during location reconnaissance that the use of video cameras was forbidden on private property, managed to avoid detection during set-up by using the whale and the surrounding vehicles as cover, sold a CD to someone at a rest-stop near the venue who didn’t even see us play but simply appreciated our idea and work ethic. AREAS OF FAILURE: Only got to play 3.5 songs, filming was shut-down, should have played deeper in the parking lot to maximize exposure (but we were trying to lay a little low due to the pressure of impending authoritative doom) REASONS FOR FAILURES: venue security was lame and wanted to prevent people from dancing and having a good time. we understand that security needs to keep an eye on big crowds to make sure things stay peaceful, but as long as everything is under control, why shut us down? the answer is that a corporate-owned venue is a layer-cake of bureaucratic bullshit and whenever they see something unusual they assume it must be bad or violent or dangerous. Also, the cameras attract a lot of attention from security, and from now on we might need to keep it under wraps until a few minutes before we set up. PERCENT SUCCESS: 70
Takeover Tour Progress Report 5-A Operation: Takeover #4 (“No Standing”)
1710 hours: Venue is not open yet. Park Whale in nearby School Parking lot. 1715 hours: Smell and Chito spot a weasel and run after it. 1720-1730 hours: Everybody convenes for soccer juggling session. 1730 hours: Head back to venue to park. 1735 hours: Pass police check-point with drug-sniffing dog. PSPS is lowered from 70 to 50. 1737 hours: Approach main parking lot and observe New Jersey State Troopers cracking down on tailgating urging people to “quit standing around and head into the venue, folks! No tailgating.” PSPS lowered from 50 to 20. 1738 hours: Approached by girl who says she recognizes us from the Philly Takeover. She wishes us luck. 1740 hours: Receive intelligence from concert-goers that police are taking hard line on tailgating because of some recent deaths related to alcohol poisoning before (depending on the source) the Kelly Clarkson concert last month, Ozzfest a few months ago, or the 311 concert last year. 1745 hours: Approached from a group of girls who say they recognize from the New York Takeover. They wish us luck but tell us we probably won’t even be able to get our instruments out of the Whale because of the heavy Robocop presence. 1748 hours: Police continue to usher people into the venue. Arrests are being made (open container/possession of narcotics/etc, etc, etc) PSPS lowered from 20 to 0. 1749 hours: Head back to Whale and decide to start unloading anyway, if for nothing else than the drama it might add to the documentary. 1750 hours: Before we open up the rear door to Whale, big obnoxious, gum-smacking State Trooper approaches and asks “Alright guys, tell me what’s goin’ on.” (Wide stance, hands on hips, head down as if he’s ready to listen to whatever stupid explanation we’re about to give him. Chew, smack, chew, smack.) 1751: Bonesaw explains the “Takeover Tour” and the guy says “It ain’t gonna happen guys, you gotta pack up and leave.” Bonesaw asks if we could do it on the side of the road where we would be off private property, and Officer Chew says “No, you’d get arrested. And probably hit by a car.” (He laughs. Nobody else does”. 1752 hours: Bonesaw asks if we can hand out demos. Sergeant Gumsmacker says he’ll give us 5 minutes, then snaps at Morgan and Brett for having their cameras pointed at him. Brett and Morgan close their viewfinders but continue filming. 1753-1800 hours: Hand out our quota of demos CD’s and still manage to make an impression on concert-goers. They seem to appreciate what we’re trying to do, and a certain martyrdom surrounds us when we tell them that the police won’t let us do it. 1801 hours: Captain Dentyne Ice approaches us with 3 of his friends, which we take as sign that it’s time to leave. 1803 hours: We leave. Stats AREAS OF SUCCESS: Made lemonade out of lemons. Got good footage of Officer Freshbreath REASONS FOR FAILURES: Underage drinking, tragedies, police. PERCENT SUCCESS: 2 July 20, 2008 Takeover Tour Progress Report 4-A 1745 hours: Make a wrong turn and head into a suburb. 1746 hours: Flip it around and get back on track. 1751 hours: Pull into venue parking lot, whichthank you Bostonis free. 1752 hours: Slip into a space, hop out of the Whale, and get in line at the port-a-potty. 1755 hours: Re-convene at Whale and decide there is a high likelihood of success. PSPS is set at 90%. 1757 hours: Chito and Hoag tag up the port-a-potties with flyers. Many concert-goers sniff us out and inquire as to our intentions. We tell them, and they grow excited. One group of dudes in particular is very helpful with load-in. As a possible set-up location, they offer the area around their car (whom they call “Russell”: Ya know, came from nothing and turned into something, like Cinderella Man, Russell Crowe, get it?” Uh….sure. that works). 1800 hours: We hang our banner across ole’ Russ and begin unloading our gear. 1802 hours: A large crowd forms a semi-circle around our gear in anticipation of the rocking that they know is about to ensue. 1803 hours: Rocking ensues. Raucous cheers and applause. These people definitely appreciate the “everyman style”, as one guy put it. 1813 hours: Hoag realizes he is sweating more than he has ever sweat before. Being from Texas, he wonders how this is possible, and concludes that the rock must be generating some sort of extra heat. 1823 hours: The police arrive during “Freezing Dub” and give us the “cut-it-out” sign (slashing one’s hand back and forth in front of one’s neck). Bonesaw fades out and we begin a conversation with the officers (of which there are 4). 1824 hours: They inform us that the opening act has taken the stage inside and the venue has asked that we stop the performance. We comply, and they thank us for our prompt cooperation. 1825 hours: The crowd begins chanting “Let them play! Let them play!”, which is flattering, but could lead to a “disorderly conduct” or “inciting a riot” charge, so we thank them kindly but announce that if they want to hear more, we’ll be playing a show later this evening in Pawtucket just 20 minutes away. 1840 hours: The whale heads to Pawtucket to rock once again, this time at a club. Somehow it doesn’t feel right playing a sanctioned gig. We are uncomfortable with the idea of “having permission”. It feels like we are cheating on the Takeover. Stats Time of set-up: 8 MINUTES AREAS OF SUCCESS: Huge crowd, chanted “Let them play! Let them play!” when we got shut down, received a lot of load/unload help from crowd, polite and respectful cops for ONCE. AREAS OF FAILURE: Twink left the demos in Philly and we didn’t have many to give away. REASONS FOR FAILURES: Twink forgot the demos were in the trailer, which we left in Philly. PERCENT SUCCESS: 92 July 19, 2008 Takeover Tour Progress Report 3-A
1720 hours: Drive past Keyspan Park. Notice heavy police presence in front of venue and on every street corner within a mile radius of afforementioned venue. A tour-bus sized NYPD mobile Command-Post sits menacingly in front of entrance. Pre-Show Prediction of Success (PSPS) is lowered from 75 to 60. 1728 hours: Roll as a unit to scout spot for Takeover. First stop: Venue parking lot. 1730 hours: Hoag approaches attendant and receives the following intel: Attendant wouldn’t mind, but the NYC cops have every right to cite us for disorderly conduct or “tailgating.” 1732 hours: Hoag debriefs rest of crew. Crew decides that since the cops seem to be ignoring the heavy tailgating that they’re supposed to be preventing, then we probably won’t have problem. However, other possible obstacles are taken into account: Considering proximity to venue, will the sound from the bands inside overpower our set? Will we have to pay for two parking spaces; one for the Whale and one for our set-up? We keep the parking lot as an option, but commence discussion of playing on the street. 1740 hours: Crew photographer, Gabby, approaches police officer from mobile Command-Post about playing on the street near venue entrance. Officer says we need permit to play. Smell scoffs to himself and regards this information as “a big freakin’ surprise…” City permit office closed at 1700 hours. We are too late. 1744 hours: Twink approaches us with news that he met a roadie from 311, gave him a demo, and warned him that “he’ll be seeing a lot of us on this tour”. An explanation of the Takeover concept followed. 311 roadie was into it. 1746 hours: Gabby asks another officer, a beat cop on a street corner, ifregardless of absence of permitany cops would care if we set up and play. Officer Malia says he “doesn’t give a shit” and “doesn’t fucking care what we do, we get paid $30,000 a year, I don’t give a fuck, this is New York city, street performance is part of the experience.” He says that who we really need to look out for are the cops in blue uniforms (Sergeants) and the cops in white uniforms (Captains). Reveals that the reason he doesn’t care is because right now he’s “going to meal” and isn’t technically on duty. We laugh and ask him if he would bust us when he got back from “meal”, to which he replies “only if my boss was around, but nah, I wouldn’t give a fuck. The problem is, there’s gonna be about 10,000 Bloods and Crips here in about 3 hours ‘cause of Snoop Dogg, that’s why all these cops are here.” 1752 hours: We thank him for the intel. 1752 hours: He asks that we please forget his name and pretend like our conversation never happened. He appears to wink as he says this. 1755 hours: Crew reconvenes and decides that the parking lotdespite it’s possible (probable?) disadvantagesis best option. 1821 hours: Two separate cars in parking lot can be heard jamming Full Service demos. Chito Bambino and Pukey have done good work. 1822 hours: Unload 1830 hours: Commence jamming “Battleship”. The generator starts easily, the new PA speaker we bought the day before sounds good, and we grow confident that our equipment problems have been solved. 1840: Twink’s wireless craps out again. 1841: Twink plugs in, but resolves that being tethered won’t hinder the rock. 1844 hours: Large crowd surrounds the band. Things are looking good. 1851 hours: Police car rolls by and barely takes notice. Things are looking great. 1851-1920 hours: Twink gets unbelievable amount of love from crowd. NYC hasevidentlynever seen a jumpy, flame-haired, half-Colombian bass player before. 1920 hours: As darkness sets in, we end the Takeover with crowd wanting more. Could have played forever, but decide that 80 minutes is a long enough time. 1921-1935 hours: Much rejoicing re: successful mission. 1935 hours: Venue Security guard approaches Smell and offers kudos on Takeover. Gives Smell 3 joints that he confiscated during pat-downs while on duty. 1944 hours: Smell and Twink are handcuffed and escorted to Coney Island Jail. On the way to the precinct, the officers remark, “For what it’s worth, guys, your band was really kick-ass, you guys have a great sound.” S and T spend the night and are released with no fine 28 hours later. Stats AREAS OF SUCCESS: played a full set, got tons of emails, sold $150 worth of merch, hype crowd, people were jamming FS demos in their cars. July 18, 2008 Takeover Tour Progress Report 2-A 1700 hours: Arrive. Find unbelievable parking spot right at front of venue. Good omen. 1705 hours: Split up into two squadrons to scout spot for Takeover. 1706 hours: Team HCBP (Hoag-Chito Bambino-Pukey) locate parking lot 200 yards from venue where heavy tailgating is taking place. 1707 hours: Team HCBP radios in to Team SBT (Smell-Bonesaw-Twink) with news of optimal location. 1708 hours: Team SBT and Team HCBP rendevous at parking lot and approach lot attendant, seeking blessing. 1708 hours: Big, stone-faced lot attendant gives firm “No.” 1708 hours: Team SBTHCBP (hereafter referred to as “we”, “Full Service”) asks attendant if he would care if we set up on the curb right outside the parking lot. 1709 hours: Attendant says he couldn’t care less what we do out there since it’s out of his jurisdiction. 1709 hours: It’s a go. 1711 hours: Unload. 1735 hours: Commence jamming “Oh Kill Me”. Twink’s bass wireless craps out. Very annoying to listen to bass come in then go out then come in then go out. The groove loses buoyancy when bass disappears, causing Hoag considerable distress. Hoag’s inner monologue sounds something like this: #@$*$#, Twink, get that $**# together or stop f%*U#*$ playing! But wait, it’s really not your fault, and you probably are as %#(*$*# pissed as the rest of us are.” 1739 hours: “Oh Kill Me” ends. Twink unplugs wireless and puts in regular cable. He is now tethered and rendered uncomfortable. This limits his ability to rock effectively. 1741 hours: Begin jamming again. People are rolling down their car windows and smiling, sometimes flashing “rock on” sign. 1755 hours: PA stops working. Smell fiddles with plug in back, gets mildly shocked (insert fraggly Smell yelp here), and gets it working again. This same process repeats at least 4 times throughout Takeover. In addition to the grounding problems, we also blow out the horn in the speaker. Still audible, but a very weak signal. 1820 hours: Generator runs out of gas. When we pour more in, it fails to start. Nobody knows why. After numerous attempts to yank the starter cord, and an ignorant belief that merely staring at the generator will cure whatever ails it, we end the takeover and pack up, with Snoop singing “Gin and Juice” in the background. 1845 hours: Pukey informs us that he and Chito got 7 pages of emails. This is huge. Emails retrieved for email-list: 84 (7 pages) (70 legible, 14 illegible) -Acceptable?: YES Songs played: 12 -Acceptable?: YES -Acceptable?: YES (had to walk with gear, took our time because of no police presence) REASONS FOR FAILURES: 1) Parking lot was owned and operated by venue and was not cool with us playing in there 2) we were ignorant of the generator’s oil situation, 3) weren’t sure when people would be going into the venue and passing by our takeover-spot. PERCENT SUCCESS: 80
As for the 20 questions, I managed to stump Smellman and Chito with “Magic”. I think the closest they got was “Faith”, which isn’t very far off if you think about it. Then Twink got me and Chito with “The Denver Broncos Football Team”, but we came very close with “The Houston Texans Football Team”. We had also guessed “The Bush administration” and “Al Quada,” as the clues hinted at “a large group of human beings who would disappoint very few people if they spontaneously disappeared off the face of the earth, and who could ALMOST fit in the Whale.” Not bad guesses, we thought. Chito made a very astute observation just now. The weird thing about traveling is that the world keeps on with its routine while we just drive. People get up and go to work, have their parties, read the papers, bomb people they hate, kiss people they love, walk their dog, cuddle their cat, but all we’re doing is driving. We are disconnected from the newspapers and commercials, and for the most part, our loved ones, and the most important thing in the world at this very moment is finding an Obama sticker. Had a sing-a-long a minute ago. A-Ha’s “Take on Me.” This video will tell the story far better than I ever could…wait, I can’t get the video online in time for this update. That’s a bummer. We are pulling into my parents’ house at 3:30am. It’s been a long drive thanks to going 55 miles per hour (our self-imposed speed limit), a few directional gaffes, andobviouslythe incredible expanse of land that must be crossed when driving from Austin freakin’ Texas to Philadephia freakin’ Pennsylvania. Cranky and wanting to go inside to sleep so I’m turning you off, Mr. PC. (Trivia, what famous saxophonist performed the song “Mr. PC”, and what Full Service song is based on the riff FROM Mr. PC?) And papa, he’s rocking a pretty good look himself. I punched him in the gut and I actually kinda hurt my hand. Just kidding, we didn’t get our heads shaved. But we did stop at Gino’s, just to pay him a little visit. He’s been cutting hair for 50 years at this little shop and we thought we’d surprise him by showing up. Only it totally backfired. He took one look at our beards and dreadlocks and curls and split-ends and had a heart attack on the spot. The paramedics rushed him to the hospital. They said he’d be ok, out by this evening probably. Still, the whole thing kinda freaked us out. We thought he’d be happy to see us! Just kidding again. He had a good laugh and we reminisced. He’s in fine health. “I’m-a doing great-a!” he said. We are underground right now. In the bowels of New York City, waiting for the “E” train so we can get to Central Park and hang out before the show. What just transpired shook us all to our very cores. We had been waiting in the subway for a few minutes when our friend Gabby noticed a rat on the tracks. We all ran over, eager to experience first-hand some authentic New York wildlife. Threw some crumbs on the tracks, asked him if he was Splinter from Teenage Mutant Ninja Turtles, and if so, where were Raf, Leo, Michelangelo, and Donatello? WHEN ALL OF A SUDDEN, we heard the faint sound of wood crashing down to the ground. Very faint, not loud at all. Just the hint of a “big deal”, know what I mean? So Smell turns around and gasps,“Oh No! My board!” We say goodbye to Splinter (who’s enjoyed a veritable feast on our kind donations), and rush over to the other subway tracks to find his board. It all probably happened in 5 seconds, but it seemed like a long time. A long deliberation. “Should I jump in and get it?” “NO!” “I need to get my board!” “I don’t know man!” “I’m going!” Mouths drop, bystanders stare wide-eyed, and Smell JUMPS ONTO THE TRACKS LIKE A CRAZY F***ING LUNATIC WITH DREADLOCKS. He grabs his board, hops back up, and walks quickly to the center of the train platform where15 seconds laterhe listens to the soft approach of a subway car traveling the very same rail lines on which he just flung himself. Someone told us later that “the 3rd rail” is to be avoided at all costs, as it is charged with a deadly amount of electricity. Which left us wondering; what would have happened if Smell’s board had fallen on the 3rd rail? Just played the show. Was joyous. Twink rocked. Saw rocked. Smell rocked. Me rocked. Pukey and Chito rocked video footage that will hopefully be on youtube in the next couple of days. Bonesaw just drove back with our friend Gabby, and the rest of us have decided to stay in the city with our friend Slammer and go to “a birthday party in Brooklyn”, an utterance that Chito finds very amusing. I mean when you think about it, for someone to whom “Brooklyn” is sort of an iconic name and place, it’s understandable that he would chuckle at someone so casually saying “there’s a party in Brooklyn”, like “there’s a party at the Co-Op”, or “there’s a party on west campus.” “There’s a party in Brooklyn we could go to…” Now this is just a ridonkulous coincidence. The guys at the front door of this part is wearing a “Westlake High” T-shirt from Austin. And he’s telling us that there are some other people from Austin downstairs at the party. Out of all the hundreds of parties (thousands? millions? I have no idea) in New York City, we just happen to walk into one where there’s a large Austin contingent? Maybe we have some sort of magnetic pull towards our own kind? Or maybe we can just smell each other. Party is fun and hilarious. I’ll have video of this, too. It will feature: 1) Confusion on the subway 2) Hoag purchasing a beverage from a convenience store 3) The arrival to the party 4) The smell dance (he kind of puts his head down, hops around a little bit, and does this weird move with his hands where it sort of looks like he’s starting a motorcycle) 5) A very exciting foosball match between Twinky-P, Smell, and some chump NYC team. 6) Confusion on the subway 7) Waking up JUNE 28, 2008 Takeover Tour Progress Report 1-A Operation: Takeover Test-Run 1800 hours: Arrive. Parking lots owned and operated by venue. No other parking offered anywhere near venue. Limits the possibility of debaucherous tailgating, i.e. the kind of amped atmosphere conducive to a takeover. Also clear that parking will cost us ten (10) U.S. dollars. 10 dollars in the hole before we even start. Outlook is dim but excitement remains high.
1830 hours: Scout out spot to set-up. Notice one other booth set-up on premises, a radio station that is promoting the STP show. Friend or foe? Would they disapprove or approve of our endeavor? See it as competition or partnership? All this remains unclear. Regardless, would be unwise to set up our gear in close proximity to theirs. Competition for sound to be avoided at all costs. Bonesaw notes, however, that an affiliation with a radio station would be a good thing in terms of cross-promotion.
1834 hours: Travel 200 yards across venue, away from radio station booth, and find patch of dirt with power outlets coming out of ground. Can only surmise that these are areas where vendors (albeit vendors with permits) are welcome to set up. (See above, radio station). We flag this area as possible location for takeover.
1835 hours: Documentarian (Morgan) notes that a security guard has been keeping direct line of sight on us at all times. He is roaming area in golf cart. Clearly sniffing us out and has concluded that we are up to something. We change our percentage of success prediction (hereafter referred to as "PSP") to 5 %.
1840 hours. Consider venue parking lots as possible location. Discover very minimal amount of tailgating/partying. Area is policed heavily. Beside, concert-goers appear to be in the 30-40 year-old age range. Glory days are behind them and they seem to desire only to enter the venue and find a comfortable seat as quickly as possible. PSP reduced to 4%.
1842 hours: Representative from the radio station approaches and offers us leftover water bottles and cans of R.C. Cola. Inquires of our activities and responds with a "wow, that's really cool". Says that this venue is notoriously tough with security, but wishes us the best of luck. We take our encounter with radio station representative as evidence that most radio people with booths at future takeover locations will be receptive to our takeovers.
1845-1930 hours: Much loitering, milling about, and indecision.
1935 hours: Photographers from the Austin INsite Magazine and the Austin Chronicle approach Bonesaw and inquire about our intentions. Upon hearing of our takeover plans, they get excited and express desire to take photographs for their publications. Bonesaw informs us of this new development and decides that now is the time to set-up as it may lead to our being featured in aforementioned publications.
1940 hours: Hoag takes bass drum out of band vehicle (The Whale) and is immediately approached by aforementioned golf-cart driving security guard. A transcript of the ensuing conversation is below:
Security Guard: "Whatcha doin?" Hoag: "Oh we're just gonna set up over there and jam." SG: "Cool." H: "Mmhmm." SG: "I presume you guys have permission from the AT&T Center?" (Silence) Bonesaw: "I can't in good conscience tell you that we have 'permission'..." SG: "(laughs) Well, technically I don't have to tell you to stop until AT&T asks me to make you stop. So...Good luck! (Drives off)."
1941 hours: Much rejoicing. Many exclamations of incredulity. Resume our set-up at the patch of Dirt.
1950 hours: Complete set-up.
1951 hours: Decide that 9 minutes set-up time is sloppy and unacceptable. Resolve to cut set-up time to 4 minutes next time.
1952 hours: Launch into "Hi-Ho".
1956 hours: Launch into "Ramona"
2000 hours: Launch into "Black is Back"
2004 hours: Decide to flip all gear around and face venue where there are more people hanging out.
2006 hours: Approached by team of 9 representatives from the AT&T Center. 65 year-old male with ear-piece asks if we have permit. We reply in the negative. He tells us we must. We apologize. He says next time maybe we can apply for a permit and do this for real. Introduces us to 45 year-old female from marketing department who raises the possibility of our playing during Spurs games during the basketball season. We express willingness to do such things.
2007 hours: Load up band vehicle and prepare for departure.
2008 hours: Security Guard drives up to band vehicle with compliments on performance and well-wishes in future endeavors. Hands over a bill of ten (10) U.S. dollars and says simply..."Gas Money". Parking has thus been paid for.
2009 hours: As band vehicle turns out of venue, look back and see Security Guard in golf cart raising fist in air.
2010 hours: Regard $10-giving security guard as good omen for future takeovers.
Stats Emails retrieved for email-list: 5 (4 legible, 1 illegible) Acceptable?: NO Songs played: 3 Acceptable?: YES Time of set-up: 9 MINUTES Acceptable?: NO Enforcer of shut-down (Security Guard/Venue/Promoter/Police Officer?): VENUE AREAS OF SUCCESS: contacts with venue established for future opportunities, photographs taken by major publications AREAS OF FAILURE: set-up time, email-list signatures REASONS FOR FAILURES: 1) Stone Temple Pilots fans overage/not target audience, 2) venue spread out/multiple access points/no throng of people, 3) parking monopoly by venue, tailgating and partying policed heavily PERCENT SUCCESS: 80 May 27, 2008 - You don’t just drive 500 miles to Oklahoma NOT to have a good time. We knew that “having a good time” was a virtual guarantee. We may have had no clue what the first ever “Backwoods Bash” Music Festival would be like, but we knew we were going to spend the night sleeping in a tent on the campgrounds. Sold. Good times. But…I can’t say that we heeded their ill portents. I remember watching Smell listening to his mom on the phone, literally looking out the window and around the corner, not seeing any tornadoes, and saying “Pssh… we’re cool…” It was an amazing show. At the beginning of our set the crowd was sparse, in the middle it was pretty packed, and by the end people were doing flips off the stage and actually moshing to “3 Will Ride Forth”. I’m not sure what they did when we got to the reaaaaally chill ending, but whatever. They called for an encore and after Twink chugged a full can of beer, we gave it to 'em. I’m sad to report that we didn’t get any video of the weekend’s hijinks, and thatladies and gentlemen--is a shame, because not only was it a great show, but afterwards some of the locals who lived on the ranch took us back to their houses (more like a paintball military base) and showed us their collection of dangerous exotic animals, such as the cutamundi, a tree-dwelling, weasel/raccoon type thing usually found in South America. Some were pleasant, some were very, very mean. Smell found a pleasant one. Classic Smell, I see him sitting Indian style next to the cage scratching one of their bellies. Ya know, Smell’s into weird ugly animals like that. Like ferrets, He used to have ferrets in his house. And miniature rat dogs like Dogsaw. And Cutamundi. And not only that, he can perfectly mimic the irritating, frantic, high-pitched noise it makes. Yes! But like I said, we didn’t get any video, so you’ll have to use your head to picture that crazy scene. We do, however, have some photos. Not of the Cutamundi though. Sorry. TOURSAW X: EAST COAST DIARY: April 14, 2008 - The second half of the tour went by too quickly. On Thursday, we swam up to New York City for two shows. The first one was at Billboard Magazine headquarters as part of their music in the café series. It was a cool little space, a little hospital-ish in décor, but full of close listeners who seemed to enjoy our tunes. We played the Pieta, Ramona, Hi-Ho, and Tennessee Traveler. I’ll post the videos as soon as we get home. Many thanks to Donna and Kristi for having us. Some highly talented artists have done the café series (Common, Matisyahu, Jon Butler Trio), so it was an honor to be a part of it all. The show was bananas. Recently we’ve been selling a LOT of t-shirts, the ones with the White Whale/van on the front, and we feel as though we must publicly thank its designer, Joel Skotak. Without Joel’s brilliant artistry, our merch sales would be stratospherically lower. (that doesn’t make sense, does it? “Stratospherically lower”?) Before the show we broke up into two groups. Bonesaw and I went to throw the Frisbee in central park with our cousin Matt, while Smell and Twink asked to be dropped off at Times Square. Legend has it that from there they went to the Statue of Liberty, ground zero, and radio city music hall, then they took the subway and got lost for quite a while Smell’s famous river-sensehis inner compassgot all spun around and he couldn’t function properly. After some serious deliberations with the Subway maps, they got on the proper shuttle and were spit out onto a street corner where they saw Russell Simmons. (Twink took a picture at point blank range). The next day we played a really dirty, hype fraternity party at George Washington University in D.C. An old friend named Munkey put the show together and I gotta say, he really made it happen. We played in a dank little basement with graffiti all over the walls (we properly tagged it up) and beer all over the floor (we properly spilled our beers). Before the show we did a little sight-seeing. Munkey took us around the White House, which is a very awe-inspiring experience indeed. Smell and I wondered how long it would take for security to jump us (shoot us? taser us? somehow incapacitate us) if we climbed over the surprisingly unimposing iron gate that surrounds the property. We decided we’d probably trip an invisible alarm running along the top of the gate, and we’d be shot at with rubber bullets after the passing of a mere second. We also saw a tent sent up outside the White House where a man (or a group of men in shifts) have been living for more than 30 years protesting the various atrocities this great country has committed against it’s own citizens and those of other countries. 30 years. When we got back to MomSaw’s house in Philly, we rested up for the show at World Café that night. A lot of our old cronies from back home came out and rocked with us. The vibe at this show could not have been more different from the vibe at the party in D.C. In D.C., strangers were ripping our clothes off and screaming and dancing. In Philly, our friends and family were sitting at nice wooden tables two feet from the stage, sipping cocktails and applauding politely. Nonetheless, a shirtless Bonesaw managed to climb up on one of those tables and shred a solo. On our way back home now…Two days of mind-numbing driving. Actually we keep our minds pretty active with discussions about Physics and Space and Politics, it’s really our bodies that get numb. Stayed at one of the best hotels we’ve ever been to last night in Cookeville, TN. It was a Best Western and it was only $45 or something ridiculous like that. Fridge, two sinks, continental breakfast in the morning. Fantastic. The concierge asked us if we were part of the railroad crew. We said yes…we were aboard the Rock Train, next stop, Platinumville, USA. After waffles and cereal (and a strange encounter with a sign on the microwave that said “do not microwave eggs, they will EXPLODE”, more of a temptation then a warning, we all agreed) we continued on our journey back to Texas. Austin Reggae Festival, here we come…
April 7, 2008 - Just got through playing two straight nights in Panama City Beach. This is the same place we’ve played before, where we can celebrate the end of our set with a sip or two of rum and a bee-line into the roaring ocean. No joke. And as always, we were co-billed with our dear friends from The Ugli Stick. If you’ve never seen an Ugli Stick show, I feel bad for you, son. I got 99 problems but the Stick ain’t one. Let me try to paint a picture. On the far left you have Dale. He’s a big fella who prefers to stay in the shadows (wears a hoodie and a Yankees cap pulled low over his eyes) but who can’t help but be forced into an “aw shucks, thanks” speech by fans who approach him after a show to tell him how awesome he is and how his solo took you 16 different places and, woah, what’s with his crazy picking techniques? And he can sing too. Hell of a singer. But the main singer is in the middle. His name’s Birdman. Skills: mathematics, freestyle rapping (maybe the best I’ve ever heard), card tricks (off-stage), ability to use iPhone to it’s full potential (off-stage), innovative acoustic guitar soloist, songwriter, main singer. Competing with Dale for “Top 10 smartest people I’ve ever met”. Birdman’s brilliance is more scattered and in-the-momentas he says “I have an 8 gig processor but like, no RAM”. Dale, on the other hand, is more contemplative and hungry to straight up dig, which must be why he reads all the time. Far to the right of the stage is Quentin. He’s a big black dude with a mo-hawk. Add 60 pounds to the word “boogie” and that’s what Quentin is. Does that make sense? He’s like if “boogie” slowed down a little bit because it stepped in too much funk. Hands down the most amazing, virtuosic bass player I’ve ever seen or heard. He literally invented a new way to play the bass. He puts his right arm under the body and his hand plucks the strings upside down. It’s hard to explain. Search “ugli stick’ on youtube and you’ll find it. Behind the kit is my buddy Tim, who always let’s me use his equipment, which is amazing. He’s got a custom deal with Trick drums, so his set is pretty smooth. Tim is a rock-solid drummer who can play more styles than your starbuck’s has lattes. He’s a self-deprecating, tattooed teddy bear with a heart of gold. Or metal. He loves metal. Anyway, that’s the Ugli Stick, and they’re wonderful dudes. The shows were great. Crowds came out despite the somewhat gnarly weather. I’ll post a video soon. Gibler and Addrienne, you guys were so unexpectedly good at nukem. After that, I knew it’d be a good weekend. Off to Cumberland Maryland to play in the Newlyweds home-town. The Newlyweds saw us on their honeymoon two years ago on Toursaw I, and they’ve hosted us in their town every year. They both have Full Service tattoos and they’re newborn baby was featured on last month’s Wordsaw, wearing a Full Service shirt. It doesn’t get much better than that. See you soon guys. Toursaw X Band-Member Survey: (Bone…send to everyone or pass this around if you’re reading it in the whale with us) 1. When we get to the Kepner house, I’m really looking forward to ________________. 2. I’m most upset about the unavailability/short supply of _______________ in the cooler: 3. I am currently reading _____________. 4. _____________ takes the most time at rest-stops. 5. Speaking of rest-stops, when we go to them, Bonesaw is most likely to buy ___________, Hoag is most likely to buy _________________, Smell is most likely to steal ____________, and Twink is most likely to buy ________________. 6. Bonesaw never knows where his _____________ is. (only choose one thing, the point here is to find out if it’s his wallet or his cell phone more). 7. The best on-stage moment so-far has been ___________________ (be specific. Don’t just say “when we played freezing dub with Ugli stick, say something in particular about that experience). 8. _______________ wears the same clothes for the longest amount of time. 9. The most structurally compromised piece of music equipment we bring on stage is _________. 10. When the band gets a free tab at bars, I usually order a _____________. 11. I can always sort of predict when Bonesaw will decide to play ____________during a set, but 12. I can never see it coming when he decides to play _____________. ________ owes me __________ (an amount of money). 13. ____________ spends the least money on tour. 14. Hoag is a bad driver because he _____________ 15. The worst thing about cooking eggs on the skillet is _____________. 16. I feel the most safe when _____________ is driving, because _____________. 17. On tour, the first of us to show signs of insanity is _____________. 18. My favorite whale signing is ___________. 19. In the whale, the ratio of non-trash to trash is ____________. 20. Most of what we say to each other on tour has to do with _____________. MY ANSWERS: 1. Playing Scrabble with the folks. They are chumps and I always win. 2. Balance Bars 3. “A History of the World” by J.M. Roberts 4. Bonesaw, unless he really wants to keep going, then he’ll make us all spend no more than 45 seconds. 5. Gum, temporary tattoo, dr. pepper, water (most likely at a very exciting value!) 6. Cell phone 7. Bonesaw’s second solo on the blues jam he did with the Ugli Stick. 8. It’s close, but I think it’s me. 9. My ride cymbal stand 10. shot of rum 11. Battleship/Legs 12. Smell/$10 13. Bonesaw 14. Is always thinking about something other than driving. 15. It always ends up tasting a little bit like card-board and I have no idea why. Also, the yolks look like plastic. 16. Smell because he’s a professional, followed closely by Bonesaw because he’s careful. 17. Smell. He starts twitching at random times. 18. Par: “Meh” 19. 1-1 20. The location of the whale keys. TWINK 1. Playing basketball at Wentz Run Park 2. No peanuts 3. “Smuggler’s Blues: The Saga of a Marijuana Importer” 4. Bonesaw 5. Bonesaw. Hoag will buy coffee, and waters all around. 6. To me, they are equal, but on this tour I’ve only heard him ask for his wallet once and his cell phone multiple times, but I still think they are equal. 7. I like the part where Birdman freestyled and both Bonesaw and I were able to compensate for (drummer of US) when Tim flipped the beat around. 8. Me 9. Hoag’s cymbal stands 10. Guinness 11. Tasteless Gravy/Have You Been Listening 12. Smell/$665 (not a typo) 13. Smell 14. He spaces out sometimes. But he can park extremely well. 15. I hate the leftover egg residue. The crispy stuff. 16. Smell, because he’s good with traffic and is quick with the wheel. 17. Me. I crave personal space. 18. “Solomon wuz here AKA “C2”” 19. 1-1, possibly 1-1.5 20. Women SMELL 1. free food 2. Almonds (ed. There have never been almonds in the cooler) 3. “Jonathan Strange and Mr. Norrel” 4. Hoag 5. Twink buys water, Hoag buys temporary tattoos, I steal M&M’s or Beef Jerkey, and Bonesaw buys gas. 6. Wallet 7. Watching Quentin play bongos 8. Hoag 9. Cowbell stand 10. Red stripe 11. Hi-Ho/Water 12. Twink/$4 13. Twinky-P 14. Because he’s late in making crucial decisions. 15. There is nothing bad about the skillet. 16. Me. 17. Twink. Because he starts to hate us. 18. “Good luckJamie B. AKA granddaddy” 19. 6-1 20. Women BONESAW 1. sports. Sports. Sports. 2. gluten free cookies 3. “The Pillars of the Earth” by Ken Follett (almost done) 4. Hoag (though on previous tours, definitely Smell) 5. Hoag WISHES he could buy magazines and sunglasses, but settles for postcards and tattoos. I buy gum. Smell steals plastic cutlery and a soda, and Twink buys water. 6. Wallet, despite its higher value 7. Waging a shredder battle on-stage with Dale, Birdman, and Quintin of the Ugli Stick (as 50 Cent says: “If David could go against Goliath with a stone I could go at Nas and Jigga, both for the throne!”) 8. Twink 9. Cowbell stand 10. I don’t usually take advantage of a free drink, but when I do it’s usually a shot of vodka. 11. n/a 12. Smell/$6 13. Me 14. Never knows how he got to where we are, or where we’re trying to go. 15. The fact that is has 3 legs 16. Smell, because he has an innate sense of the rhythms of traffic flow. 17. Twinky-P. Withrdaws into a state of “Must get home and have alone time” 2-3 days before end of tour. 18. Birdman: “To the best bunch of hornswagglers and scallywags I’ve had the pleasure of plundering with” 19. 8-1 20. Location of items (phones, food, books, etc.) TOURSAW IX DIARY FRI: Left early in the morning to go to our show in Guntersville, but first we stopped in Birmingham to pick up my old college roommate, “Fort”. Fort snuck us into his local YMCA and we rocked a game of pretty intense roundball. Smell and Me versus Fort and Bonesaw (the evening before, Twinky-P had developed some cold/flu symptoms, so the poor guy opted out of competitive contest and slept in the Whale). Anyway, Bonesaw and Fort took the first half 15-11 thanks mostly to the unexpectedly hot hand of Ole’ Fort. Said Smellman at the half, “I can’t BLEEPing stop his stupid BLEEPing mid-range bank shot!!” That, and Smellman’s shooting hand was about as cold as a frozen codish. Nevertheless, we came back fighting in the second half. I attempted to set the tone early with a violent hip-check to Bonesaw in the low post, but Bonesaw answered with one of his own at the other end. Smell and I continued to put the pressure on throughout the second half, but we came up short in the end, losing 30-28. Which means we won the second half, 17-15. So really we split one game a piece, right? Right. (Bonesaw says: “that’s completely bogus. They never had the lead the ENTIRE game. This is just another Hoagman ploy to somehow try to convince people that no matter when he wins or loses, he still wins. BS). After the game we showered in the YMCA locker rooms which was a terrifying experience thanks to the number of fat, naked, old dudes who insist on roaming around completely naked. When we got into Guntersville, we dropped off Bonesaw at the motel where he set about making his microwave dinner. The plan was for the rest of us to head over to this pizza restaurant, pick up a couple of ‘zzas, and scoop Bone on our way back to the bar we’d be playing at that night. So we placed out order with the hostess and she said “it’ll be ready in about 30 minutes.” After 40 minutes she said it wasn’t even in the oven yet and that they were really backed up. Smell suggested that he and Iwith our combined pizza-making expertise, honed from years of quality training at various parlors around Austinoffer to help the kitchen staff catch up and get back on track. I thought that was an excellent idea, but on our way over to the hostess we caught a glimpse of ourselves in the mirror and remembered that we have incredibly long, dready, unruly hair, and that nobody in their right cabesa would consent to our presence in a food-prep work-station. So we instead told the waitress to please do the best she could because we were in danger of being late to our gig. She told us she would, and we waited for another ten minutes before she gave us the unsettling news that our pizza was still not in the oven. We told her we were sorry but we had to cancel the order and take off, at which point she admonished us for “not getting here earlier.” We left with our tails between our legs. It was 8:30pm and we were panicking because Bonesaw told us we wouldn’t have time to eat until after the show. As we all know, a hungry dog is an angry dog, so things got tense amongst the group. We jammed to a packed house of somewhat bewildered 30-45 year-old country folk at “Boondock’s”, and afterwards ate some KILLER cheeseburgers. Those nitwits over at the pizza place told us that Boondock’s had terrible food, but screw them, they’re obviously liars as well as slow pizza-makers, because these cheeseburgers were magnifico y delicioso. After eating, we partied with the locals. Here's the video:
SAT: Split town pretty early so we could get to Auburn for our show at “Ale House” with time for dinner, but certain misfortunes befell us on the road that delayed our arrival. It went like this: Hoag (halfway to Auburn): Man, we’re getting pretty low on gas. Bone: What’s “pretty low”? Hoag: We’re at Empty. Bone: We’re at Empty?? Hoag: Actually we’re a little bit below empty. Bone: Can we make it to Alex City in 12 miles? Smell: Yeah for sure… And right at that moment, the Whale sputtered its last gurgling breath, and the verbal assaults on Hoag began. From Bonesaw “You are HELPLESS!” From Smell “(laughter) ohhH! Aaaaahaahahaha! OHhhhh, you dumbass….a-hahaha!” From Twink “Dude I told you before we left to keep an eye on the gas.” I argued that I was doing the band a favor by giving us a “running-out-of-gas-in-the-middle-of-nowhere” story. What’s a touring band without an experience like this? I asked them. They were not buying it, and told me to go with Fort (who, thank heavens, was following us in his own car instead of traveling with us) to pick up a gallon of gas. (Bonesaw adds: “In all our time out on the road, we’ve NEVER had anybody follow us in another car. This is the only time. Further proof that Hoagman, no matter what mess he gets himself into, always finds a miraculous escape route. Gotta love him.”). Video here: So Fort and I drove fifteen minutes up the highway and bought an emergency gallon. We brought it back, shoved it into the tank, and lo and behold….the Whale still wouldn’t start. So again Fort and I drove the fifteen minutes up the highway and bought an emergency gallon. We brought it back, shoved in into the tank, and lo and behold…the Whale still wouldn’t start. But then Smell came to the rescue with a wonderful ignition/gas-pedal pumping display that got the engine revving correctly. He popped it in drive and we were on our way. Total time wasted: 1 hour and five minutes. Big freakin’ deal. (Bonesaw adds: “Hoag forgets to mention that now the Whale has trouble starting”). Auburn was a fun show. Everybody who came out it did so because of our promotional efforts from earlier in the week, so it was nice to see that some of that paid off. Aside from the show itself, there were two main highlights. One was watching Smell take a flaming shot, and the other was this balloon-sculptor virtuoso make us a balloon-sculpture of Bonesaw and the White Whale. Video here: SUN: Fort headed back to Birmingham in the morning, and FS continued on to Atlanta. It was Bonesaw’s birthday, the big THREE-OH! Too bad we spent most of the day driving and then playing a very poorly-attended show late on a Sunday night. But such is life I suppose. We did manage to fit in a game of soccer at Piedmont Park, however. And we all know that if Boneman gets to play a competitive sport, his day is complete and he is content. So we were glad that he at least got that. MON: Since Sunday was kind of crappy, Bone wanted to head to the beach on our way to Tallahassee and spend some time amongst the sand, sun, and water. So we went to Panama City and hung there for a while. He and I battled Smell and Twink in 3 games of Nukem (volleyball kind of, but where you catch it and throw it instead of bump it and hit it). Smell and Twink took the first game (I don’t know how), and Bone and I took the next two to take the best-of-3 tournament. After the game Bonesaw took a run and swam in the ocean, even though it was not hot or even warm outside. I think he had made up his mind the day before that temperature would not be a factor in his decision to get into some salt water. I guess once you turn 30 you develop that sort of “i-don’t-have-much-time-left”, “devil-may-care” attitude. (First 30 joke of the year!) Later that night we got a room at Econo-Lodge, watched Lost on abc.com (mind-blowing), and grabbed some dinner. Bone went to the grocery store, Twink had some soup, and Smell and I went to a local pizza parlor and ordered the biggest pie I’ve ever seen. We couldn’t even finish it. It totally owned us. TUES: Right now we are driving to Tallahassee to promote at FSU for our show at Beta Bar tomorrow night…
THURS: We still felt crappy due to our coughs and congestion, so we again snuck into a movie theater in Pascagoula, MS and saw Jumper, starring Hayden Christensen, Rachel Bilson (Smell’s future wife), and a silver-haired Samuel L. Jackson. It was bad, and we knew that going in. Did it matter? Not even a little bit. Totally entertained. Later that night there was more coughing, and a show at The Celtic. Our voices were broken from our sickness, and it didn’t help that every patron in the bar was smoking AND there was a guy with a hooka set up next to the stage supplying us with a steady stream of throat-irritant. But who cares, it’s a bar, and it’s all good. We rocked it and made some friends (finally got to meet and hang out with one of our most dedicated street-teamers, “Pascagoula Jeff”). You know, the Celtic is a great place. The owner’s name is Ryan and he’s one of the cooler dudes that lives in the Gulf Coast. He’s so punk rock (though he doesn’t look like it) that he puts out a hand-made rock magazine around town, and he interviewed us for it after the show. We did it in the bar kitchen and he asked some excellent questions. (“What’s your favorite Beatles song?” “Bonesaw, what’s your deal with all the exercising?” “Hoag, what did you do for your girlfriend on Valentine’s Day?”). Speaking of Valentine’s Day, Smell was determined not to let the day go by without bringing some warmth to a lady’s heart. So he asked Laurel, the bartender we met on Toursaw VIII, to be his valentine and presented her with a tiny bouquet of “flowers” (they were mostly weeds he picked from the concrete out in the parking lot…It’s the THOUGHT, people!). Laurel was very appreciative and stuck the bouquet in a vase that was already home to a dozen roses given by a bar patron with perhaps a little more cash-flow than our hero Smellman. FRI: To Uncle Tim’s and Aunt Lori’s in Mobile. Our third stay here. We checked in then went to a park and watched a random soccer game. Smell rooted for the black team, Bone and I for the orange team until we realized they were a bunch of underachieving cry-babies. So we went over to join Smell’s black team and lo and behold, he had become their hero-mascot. They were cheering his name in the huddle and everything. Apparently this team was the laughing stock of the league, and the orange team was ranked 8th in the state, so they were having a blast and got quite a kick out of this random dreadlocked dude cheering them on. They came to love Bonesaw and I as well and it was all very heartwarming. They lost on double overtime penalty kicks, but to them it was a victory. Afterwards, we ate some pasta and headed over to Grand Central for the first of two nights. This is the place where we play for the whole night, one of those behemoth 3 hour deals. Bonesaw and I were a little intimidated because we knew our voices were weak like Screech Powers thanks to the cough, but upon entering the club we were immediately lifted by the discovery of our old FS banner that we had left behind on toursaw VIII. The show proved to be…fair. I’m not sure we “sang” so much as we had “intense fits of cough”, but overall it was a good show. Perhaps the highlight was not having to unload, because we’d be playing there the next night too so we could leave all our stuff on stage. SAT: We went back to the park to root for the black team but they weren’t there, so Smell and Bonesaw played Frisbee golf in the woods, I went for a run and did pushups and coughed stuff up, and Twink read his Van Halen biography and slept in the van. The show that night was way better. Huge crowd, lots of love, and my voice was back in business. Our last set was actually the best, which is a testament to the partying stamina of mobilians. At freakin’ 2:45 in the morning and there was no sign of the audience quitting anytime soon. Twink and Bonesaw seemed to get a second wind from a beautiful girl in a gold dress dancing in the front, Smell stayed in the game thanks to a beautiful girl with dreadlocks dancing in the front, and Ias everneeded only the love from the rock to keep me on task. SUN: We went to bed at 5am on Saturday, so we slept well into the day on Sunday, which means Bonesaw slept until 9am, and Twink and I slept until 2:30pm. I don’t know what time Smell slept until because he wasn’t anywhere to be found. Sunday was pretty slow. Aunt Lori made us some lasagna and Reagan (the 5 year old daughter) made us pretend ice-cream, chicken, fruit salad, turkey, French fries, and boiled carrots. Fisher Price style. MON: When Smell got back to the house we said our goodbyes to the Taylor family and headed out to Alex City, AL to spend the night at the Royal Inn. We had nothing to do until Wednesday when we’d go promote in Auburn, so we grubbed on some Subway and rented Miami Vice with Collin Farrell and Jamie Foxx. (Does his last name have two “x”s or am I making that up?). Anyway, this movie was pure garbage and though only Twink stayed awake until the end, we loved every filthy minute of it. TUES: After Bonesaw and I drank our morning motel-coffee (coffee tastes different and weird out of a small Styrofoam cup), we hit the road for Mama Anne’s (Smell’s Grandma’s) house. We had a mountain to climb, so we dropped off Twink at Mama Anne’s (on the disabled list thanks to a sprained ankle), and headed to Cheaha National Park for 4 solid hours of trail-hiking, off-trail hiking (i.e. getting lost), creek jumping, eating lunch in the bamboo forest, getting our shins torn to shreds by thorned creepers reminiscent of barbed freakin’ WIRE, and finally, in the end, fort-building. The fort turned out to be a legitimate structure that could provide cover and shelter from the elements. I know what you’re thinking. “Show me some proof”. But it just so happens that the video camera battery died right before we finished, and my camera phone memory card was full, so unfortunately there is no proof of the integrity of our “fort”. I guess now it’s just a question of how much faith you have in our survival skills. But I’m telling you, this thing would stay standing in a (very mild) rain sprinkle. Anyway, Smell and I made a documentary about the whole experience and I’ll edit it and post it online as soon as we get back to Austin (maybe sooner if I can find the right type of cord at a radio-shack while on the road). WED: We drove the whale over to Auburn for the day to promote for our show on Saturday, and ended up scoring a live on-air performance on the college radio station, 91.1 WEGL-FM. We then set up shop with an acoustic takeover and handed out a ton of demos to an extremely receptive and welcoming student body. Two Sociology students even interviewed us for their class. I think it was because we looked weirder than everyone else on campus. But I can tell you this, those two students were way weirder than Full Service. Sample question: “When was the last time you went to the grocery store, and did you buy condoms?” I’m not complaining, the stranger the questions the better. You know how sick we are of hearing “How did you become a band?” and “Who are some of your influences?” Stay tuned for more. It’s dinner time at Mama Anne’s… November 30th, 2007 - So hang tight and get ready for “The Dig” 15 tracks that will soon be legend. and now, back to the jamming. . . Love, BONESAW TOURSAW VIII UPDATES: October 21, 2007 - Toursaw VIII has hereby come to a close. We played the last show of the trip last night in Hattiesburg, MS, and now we’re inside the belly of the Whale headed back to Tejas. But before I offer you a wrap-up of the 4 remaining cities in these Toursaw VIII diaries (Atlanta, Gainesville, Tallahassee, and Hattiesburg), allow me this brief foray into the art of equipment loading. It’s the end of the night, usually between 1am and 3am. With so many thoughts of cereal and sleep fluttering through your head, it’s almost impossible to keep your eye on the prize of packing the Whale. But it’s a challenge, and we in Full Service love a good challenge. The question is, can we turn our brains off (to keep from feeling the pain/fatigue/frustration that accompanies such an arduous task) without also turning our bodies off (so that the physical exertion required by this task remains possible)? Athletes must do this all the time. They get tired, but they refuse to listen to their tiredness. And the great thing is, we are all there for each other when we see somebody’s body turn off. Smell fell asleep while standing upright next to the Whale last night, and I reminded him that he must only let his brain go dead, not his eyes, legs, arms and back. (Although, since my brain was appropriately turned off, what I actually said to him was something like “grunt grunt, ooga booga, naaa!”) Not surprisingly, our smelly hero snapped to, and resumed the hustle. Anyway, we left off with Atlanta. A beautiful town, truly. We managed to find a huge park in the center of town to hang out at before the show (Piedmont Park). Twink practiced balancing the soccer ball on his head while Bonesawthe greatest hucker this side of Neptunethrew 300 yard Frisbee bombs to me and Smell. On the walk back to the club we found a sidewalk of wet-cement and wrote “Full Service rules!” in it. Hopefully it becomes a landmark some day, huh? When we actually got to the Whale we realized that the back door was wide open. WIDE open. We all hung our heads in shame. We played with some great bands that night, including a band we played with way back on Toursaw I: The Original Tour, at a really crappy place in D.C. called “The Grog and Tankard” (admittedly, a very cool name). I forget the band’s name right now, but we both remember each other, and it was utterly bonkers to be meeting up again 2 years later in Atlanta of all places. Anyway, our set was properly righteous, as the sound guy was awesome and got us all in the mood by playing Mastodon on the P.A. before we took the stage. Mastodon hails from Atlanta, and we were all hoping they’d come to the show. I have no idea why they would, but…they didn’t. Bonesaw wore his Mastodon T-shirt his friend Dallas (from Lonestar Pornstar) got him for his birthday, just in case. Many thanks to Fabulous Abby, our Atlanta myspace commander for coming out to the show with a bunch of people. I’m gonna keep sending you demos and stickers so you can further spread “da word”). Also, Shake, it was great meeting you man. This guy Shake was so on point with the Service, he just GOT it. He told us that while we were soundchecking and playing all these metal riffs, he knew we would eventually play one-drop reggae during our set. He said it wasn’t the dreadlocks that tipped him off, it was the way Bonesaw dipped and dodged to the music. And to that other dude, the one who said he really dug us and works for BMI…well, first of all I don’t believe that you work for BMI. You bragged about it too much. But you were a nice guy and we really appreciate your generosity with the vibes. One more noteworthy note about the Atlanta experience (“noteworthy note”…such poor form): we’ve all heard horror stories about touring, but this one might take the cake. One of the bands that night, Endway, asked to borrow our flashlight because they had locked the keys in their van. When I went down to the parking lot at the end of the night to get it back from them, they were still working on it. Two dudes were on the roof, one prying open the door with a much-too-small screwdriver, and one jabbing a much-too-thin clothes hanger inside the window to pull up the lock. The third member of the band was on the other side of the van shining our flashlight on the lock opposite him. It was 2am, and as I spoke to him about their bad-luck, he began to explain that this was only one in a series of misfortunes. First, their van broke down completely, so they had to rent this one. Then, they crashed this one into a deer and busted up the front grill. (I walked to the front of their vehicle at this point, and indeed, the deer had done considerable damage). They play in Austin at Momo’s on November 16. We’re supposed to meet up with them to get our flashlight back. Next up for us was Gainesville, Florida. Ever heard that song about the “Suwanee River”? Waaaay down yonder on the suwa-NEEE rivERRR!” Well we stopped at Suwanna River Park to play some soccer. Smell and I rolled and evened the Toursaw VIII series to 3 games apiece. Gainesville’s always a good time. The day of the show we always head over to campus to do an acoustic takeover and hand out demos and flyers for the show. It’s usually pretty safe on campus, but this time Smell got attacked by a zombie. Instead of helping him, I decided to bust out the video camera and document the terror. I’ll post it soon.
Anyway, our musical home in Gainesville is a small reggae-flavored bar called “The Sidebar”. The guy who runs the place, Anthony, pulled a fast-one on us and advertised us on their myspace page as being an “Emo band”. When I got to the club I accosted him for this gross misleading of the public, and he just started laughing his ass off. I gotta admit, that’s pretty good. Anthony’s a good dude. He had Austin heroes Grimy Stiles at the Sidebar a couple weeks ago, and as we were loading in, the bar was actually jamming their CD on the P.A. We all kinda teared up with Austin Pride. Their CD is really sick, by the way. If you don’t have it, I recommend getting it somehow. It’s pure dub and it’s delicious. To our good friend Laney, thank you for wandering the parking lot looking for a different club and taking Smell’s suggestion that you instead hit up the Side Bar for our show. We’re so glad you dug it, and we’re eternally grateful for you help in carrying the equipment out to the Whale. Good luck becoming a tiger-trainer and realizing whatever other zoological dreams you may be nurturing. From Gainesville to Tallahassee it’s about 7.5 hours, and along the way you can feel a distinct change taking place. Gator license plates give way to Seminole ones. Blue and Orange paint jobs yield to Red and Gold paint jobs. The FU-FSU rivalry is not a joke. It’s a real hatred. It’s worse than Jerry/Newman; it’s worse than coyote/roadrunner, it’s even worse than Hoag/Smell. Our good buddy Pontsaw got us a show playing at a small $5-all-you-can-drink bar on campus called “The Tribal”. Best show of the tour, easily. We used our own P.A., our own small string of Christmas lights, and had no monitors, but it was by far the most hype show we played this past two weeks. Thank you Pont, and thank you for letting us stay at your pad. Pont lives with 3 of the most Joe-College dudes I’ve ever met. When we woke up the morning after the how at 9am, they were already drinking bloody mary’s, filling flasks for the tailgate later that day. I also overheard them talking about Halloween costumes. They planned on being tampons. That’s just gross. (Bonesaw note: it was actually these guys MOM who was making the bloody mary’s, much to the horror of Smell, who had been sleeping on the couch until the whole fam busted in at 8am with drinks and breakfast. He wasn’t happy). Before we left FSU, we played the final game of the Toursaw VIII soccer Tournament in Pont’s perfectly manicured, on-all-sides-gated backyard. It was wet, which neutralized our speed advantage, so it was a very close game. Overtime in fact. But in the end, as is most often the case, Smell and I prevailed, keeping the crown of “best two-man soccer team in the world”. Basking in this glory, we headed off to Hattiesburg for one last show before our return to Austin. Shows in Hattiesburg are always hit or miss. Our first show there, during Toursaw IV, was jam-packed. Our second show, during Toursaw VI, was empty, because everybody was out of town for Easter. Our third show, during Toursaw VII, was packed, and last night there were probably 50 people in the club. It probably would have been 200 had most students not been out of town for fall break. But Superfansaw Lori Long, from the show in Auburn was there, and she brought a crowd of about ten. She’s such a sweet girl and so supportive of our efforts and the efforts of other independent bands, she’s really an example of the reason we do this stuff. She spreads the word, listens closely to the subtleties, brings crowds, and best of all, dances her heart out. We love you Lori, and we’ll definitely be in touch. Come visit Austin, you’d love it here. I leave you with this list of ways in which Toursaw VIII changed the Full Service set: --Our new song “The Tea Has Bubbles” has become a band favorite and will be played with increasing frequency at Austin-area shows. Same goes for “Blue Glass Lake”, “Hotter in The House”, and “Blueberry Farm.” (Bonesaw adds: “Blasted Lands is clearly the best FS tune in the new set, it’s just that only the most heavy crowds, such as Houston, can handle the rocking.”) --The “get down reaaaal low” part of Stand by Me has reached a new level. Last night Hoag was on his knees, and Smell was actually splayed out on his back. So next time you see us play this, which for all you austinites will be at the Flamingo Cantina show on November 3rd, make sure you get as low as you can possibly get. We all need to be on the same level, people. And getting high is too easy. It’s time to go subterranean. --Bonesaw has developed a mental block which for some reason disables him from remembering to play the last four bars of the first verse of Ramona. This mistake has serious consequences resulting most often in extreme dissonance between my vocals and the chord he plays on guitar. Last night he did it correctly, but it remains a concern. --Smell has a cowbell solo during which he sometimes solicits assistance from the audience. Plan accordingly. --I have recently decided to give myself the freedom to not play drums when I only feel like singing. Of late I have taken to singing sans drumming at the beginning of “Legs” and “Never be Saved” and “Broken Women”. See you soon everybody, Hoag October 15, 2007 - 1) Wasp v. Wasp 2) Hawk v. Hawk 3) Dog v. Deer 4) Twinky-P v. Fly-In-His-Face Tomorrow we head to Atlanta as the shows continue after these last two days off, which were joyously spent watching football and playoff-baseball and Dante’s Peak, starring Pierce Brosnan. Until next time, ye dogs! Hoag
October 13, 2007 - October 11, 2007 - and then here's the new list we're working on now: one of those stickers of calvin (from calvin and hobbes) pissing and the rules are, if you make two mis-calls (like if i say "padiddle" and it turns out to have two headlights), you get one thing taken from your list that you've already gotten. also, you can play "defense" by calling out something you already have, thereby preventing somebody else from getting it. Gotta head to the gig. Talk to ya’ll later. TOURSAW VI UPDATES! It's impossible. Suffice it to say, we had a rip-roaring time, and rest assured we broke every rule in the waterpark book about hands-and-feet-inside-the-tube-at-all-times, don't-go-down-head-first, no-running, etc. . The only thing bad about it all were the life-guards, or as we like to call them, "Fun-Preventers". They are constantly trying to keep the awesome-level at the lowest possible setting. And why did they look so freaking miserable? You're on Shipwreck Island!, people! Put on a happy face for the people! Now for a quick numbers game about Toursaw VII: Number of times we were asked if we were twins (when in pairs), triplets (when a trifecta--as at Shipwreck Island, from which Twink stayed home for reasons unknown). or--I swear--Quadruplets (when rolling all together): 4 Number of times a manager at Golden Corral asked Hoag if he could "please pull up his britches": 1 Number of times the existence of God was reaffirmed: 2. The first time, a chilly beach breeze was making bonesaw uncomfortable in the whale late at night, and he exclaimed, "God! Please close the window". He was talking to Smell and I, seated amidships, but before we had a chance to react, the window blew itself shut. The second time, we were lost in Pacagoula, Mississippi, and we were trying to decide if we should turn back around. At that moment, we passed a sign that said, Church of God: A Good Place to Turn it Around". We obeyed and found the club. Number of "Live Bait Shops" we saw on the side of the road: 34 Number of Live Bait Shops that had signs up saying "Now Serving Pizza": 1 Number of shows that had incredible sound-systems: 3. The Peachtree in Atlanta, Grand Central in Mobile (thank you Bobby, yours was the best), and Mugshots in Hattiesburg, Mississippi (what the hell is the abbreviation for Mississippi, anyway?) Number of times Hoag did an interpretive, poetic reading of 50 Cent's "In Da Club": 2 Number of times people responded favorably: 1 Number of times we played a show where a Sega and a TV were set up within 10 feet of the stage: 1 Number of times the plastic knife broke off in the peanut butter jar: 6 Number of times Hoag and Bonesaw beat Twink and Smell in Nucem: 7 Number of times we played Nucem: 7 Pretty sweet deal. The only thing is (and it's a minor thing), we tend to have nightmares while staying there. Mild nightmares. Nothing terrifying. Under normal circumstances, we probably wouldn't have even noticed, or attributed it to being in that house. But when we left town on wednesday morning, we noticed the name of the street we were staying on; I swear to god it was Elm St. That's not funny, it's weird. But this is not the end of the Panama City Beach Narrative. There is still one thing left to discuss. Something so grand, so fantastic, so full of adventure, you might want to sit down before you start reading about it. (Then again, who really uses a computer standing up? Besides Bonesaw. Did you guys know that Bonesaw is on the computer for at least 3 hours a day and he does it all standing up? I think he does it for the challange. Amazing.) Back to the big thing I was going to tell you about. The thing so grand, so fantastic, so full of adventure....Shipwreck Island! It's a waterpark, and it's awesome. We passed by it on the way to and from the mini golf excursion, but it was closed. And expensive. And it looked like we'd never be able to go. Ever in our lives. Then, on Tuesday, Smell and I went out to a used book store. He got a Sci-Fi book called "Time Storm", I got "The Princess Bride" which is easily the funniest book I've ever read. But that's not important right now. What's is important is Shipwreck Island! On the way home from the book store, Smell and I started talking about how cool it would be to go to Shipwreck Island! Too bad none of us could afford it, we kept saying. It sure would be awesome to spend an afternoon on Shipwreck Island! But it wasn't gonna happen. We've all been spending too much money as it is, we kept saying. It was a lost cause, we kept saying. Then, we stopped "saying" and thought of something. Was there anyway Bonesaw would dip into the band account to fund a field trip? No, we both decided. Then "No" changed to "Well, maybe". Then it changed back to "No.". Then a "Definitely not". There was simply no way we could convince The Saw that this was a wise use of band money. I mean, the best thing we could come up with was, "Hey listen Bonesaw, I think morale is a little low, I think the guys need a little pick-me-up." But that was no good. We'd been lounging on the beach, playing Nucem, sneaking into movies for the past two days. Morale had, in fact, never been higher. (As an aside, we've become really adept at sneaking into movies. We did it five times this tour. Here's how it works. Smell just walks in the theater and owns it. Walks right past ticket-takers, managers, janitors, etc. He acts like he's talking on his cellphone, trying to find somebody in the theater (who, presumably has bought him a ticket). Then, he goes to the back of the building, opens the door, and just lets us in. It's almost impossible to get caught sneaking into a movie theather when you have Smell running point. One time an employee walked out of a back office at the very moment Smell was ushering us through the back exit. The guy looked us straight in the eyes and just ignored us completely. I don't know why, but we just never get caught. Not that it doesn't weigh on our collective conscience. Actually it doesn't really. But one time while we were at the back of a theater waiting for Smell's head to pop out the back door, we daydreamed about arriving at the gates of heaven, and St. Peter scrolling down his little profiles on us and saying "Well, you guys were--for the most part--good people. But this movie theater thing is just too much". Then he'd say, "But it's not enough to send you to Hell per se. I'll send you to like a Junior Varsity hell. Some place that's perpetually 99 degrees, not 4,000 degrees. Someplace miserable, but tolerable." "Oh sweet jesus..." we'd reply, "you're sending us back to Houston!") But back to what's really important. What's really fantastic and full of adventure and grand. The story about Shipwreck Island! As I said earlier, there was no way we could convince The Saw that this was a wise use of band money. Then we thought of something. By allowing us to stay in their beach house for three nights, Spinnaker saved us a bunch of money on hotel rooms. About $100. Why not blow it all on Shipwreck Island!? We'd use differently language of course. Instead of "blow it all on", we'd say "treat ourselves to". It's all about how we approach him, we decided. We couldn't act too excited or gung ho (which would be hard. Smell and I were pretty well amped at the mere possibility of it all). We'd have to mention it as a kind of passing fancy. A "hey, what do you think man?" He shut us down. Firmly. Then a strange thing happened. He came out of the bathroom 10 minutes later and said softly, "I could be convinced". He then made us explain to him again why we thought he should permit this seemingly heinous misuse of funds. All we could come up with was a kind of pathetic "'cause it'd be fun." Unbelievably--and I do mean unbelievably--it did the trick. What a coup! Smell and I could not believe it. We were going to Shipwreck Island! And we were going in five minutes... (To be Continued...) Unrelated news flash: We are back in Austin and have a show this Friday @ Rockin' Tomato. Our friends from NYC "Fortress of Attitude" play at 9:30, and we play at 11pm. ALL AGES. Fortress of Attitude is a hilarious, brilliant, and absurd band possessed of a high level of musicianship and a goal worthy or your appreciation and support. Here is their bio: Fortress of Attitude is a ragtag band of rock extremists, willing to spread rock and roll through ANY MEANS NECESSARY. When the four founding members of Fortress of Attitude (Bomb Threat, Sniper Kitty, Butch Deadlift and Dr. Genius) were thrust together in the infamous rock work camps of Country Radio City, they vowed if they ever found a way out, they would dedicate their lives to absolute rock liberation. It wasnt long before Dr. Genius assembled a master escape plan, and the quartet fled to safety in the sewers beneath Rocktropolis, the last free city in the Union. There, they erected their mighty Fortress of Attitude, welcoming all those who still believe in the freedom of rock. From the Fortress, this group of radical insurgents coordinates tactical strikes wherever rock is oppressed in an effort to spread their doctrine of a free rock society. Thank you for joining the fight. You are a dutiful soldier and will be rewarded handsomely upon the liberation of rock and roll. To find out how you can further help the resistance, please visit www.foamissioncontrol.com. See you on the march!
So before I hit you with the recap of the mini-golf game in Panama City Beach, let me first brief you on our crappy time in Atlanta, or as I hate to call it, “The A-T-L”. (I don’t know when this trend startedreferring to cities by spelling out their airport abbreviationsbut I’m not down with it for some reason. People do it with Austin, too. “The A-T-X”? Austin is such a beautiful name, why must we corrupt it so?) Anyway, we got to the club in ATLANTA, moseyed into the door (past a sign telling patrons that sleeveless shirts and backwards hats were not allowed??), found the booker and asked about set-times and load-in: Bonesaw: “Hey man, I’m Bonesaw from Full Service” Booker: “Awwww…..awww dude……shit…..I totally forgot you guys were coming” Awesome! So Beavis decided the best he could do was give us a 9:30-10:15 slot, since he’d promised the headliner the 10:30pm-2am slot. (That’s a 4 and a half hour slot for anyone who’s counting). It’s all good though, shit happens like this sometimes. At least the sound-guy did a killer job, and though I thanked him twice from the stage, I’d like to again extend my gratitude for scrubbing the microphones with a toothbrush covered in Listerine. I’ve never seen anyone do that before, but it makes total sense. Those things get nasty. Despite the mix-up, we’re glad we went to Atlanta. Otherwise, we never would have had occasion to spend the night with Smell’s Grandma “Mama Ann” andon the way backhis Aunt Jan and Cousin Danielle, who taught Bonesaw, Smell, and me that with a little determination and chutzpah, we could accomplish things on a trampoline we never even imagined. At this point, we’ve met nearly every member of Smell’s mother’s side of the family: Uncle Tim, Aunt Lori, Landon, Reagan (Mobile, AL) “Grand Daddy and Mama Wadene” (who came to visit us at Aunt Jan’s), Aunt Jan, Danielle (La Grange , GA), and Mama Ann (Goodwater, AL). The only one we haven’t met is Uncle Barry, who livesI swearin Austin. That’s preposterous. Where you at, Uncle B?? So…back to the mini-golf game. As I said before, Eric from The Ugli Stick treated us to a game (and later to dinner, where a man and his Russian mail-order bride asked for a picture with us based solely on our unusual appearance). The stakes were this: whosoever comes in last shall do the dishes the next morn, and whosoever finishes first shall win himself a beverage of choice from each of the other players at a rest stopalso of his choosingon the way back to Texas. I jumped out to an early lead and played with ice in my veins. There were threats to my standingfrom Eric and Bonesaw--but these were short-lived. After three holes Smell was averaging a 4 or 5, the fires of frustration filling his every blood vessel. Bonesaw’s strange breed of condescending smack-talking didn’t help. “Tough bounce, Smellman. Tough Bounce” and “Can’t make those mistakes, buddy. Can’t make ‘em.” Anyway, though Twinky-P flirted with the idea of playing worse than Smell, he never quite made the decision, and going into the 18th hole he was up on Smell by nine strokes. Desperate to rid himself of the burden of doing the dishes, however, Smell proposed the following. If heon the 18th holehit the ball into the frog’s mouth (an impossible shot involving a no-way-in-hell bridge that might or might not spit the ball into the frog-mouth) and if Twink did not, then it would be Twink, not he, who would have to do the dishes. I would not be explaining all of this to you if Smell ended up missing the shot. He made it. He rejoiced. Twink missed it, and cussed. Also of note is the fact that I almost crapped my game away on this God-forsaken hole. I somehow got a 4. All I had to do was hit the ball up a tiny little hill, and even if I missed the bridge to Frog-Mouth, my ball would disappear into a trough below. But nay! The first time, I hit it too hard, and bounced it off the frog’s face. The next time I did the same. The third timeas you may imagineI compensated too much and hit it like a 4 year old might. It rolled back to me slowly. Then on my 4th shot, I made it. All Eric had to do was make it in one shot, but he too choked, and shot a 4. Thus, the beverages are mine and the dishes were Twink’s. Love Hoag How are things back at the house? I hear from your Daniel and Amber that you’ve been carousing around with that orange cat from down the street. Do I hear wedding bells in the distance? Catch any lizards lately? Any birds? Small rodents? That’s my boy! The cats here in the south are the same as you Texas cats except their accents are thicker. Instead of “meeeeowww!” they have a much thicker drawl, like “maaaay-eeeeeeeeeee-owwwwwwwwwwwwuhhhhhhhhh”. Things have been real good on the road lately. The show in Tuscalossa was fun, there was even a little doggie in attendance, just roaming the bar. I don’t know what his real name was, but we named him Captain Barbosa because he looked like he was drunk (and sea-weathered). For the past few days we’ve been hanging out in Panama City Beach. We had a show here at Spinnaker Beach Club on the beach with our fellow hornswagglers “The Ugli Stick”. After the show, Smell and I owned on the email list, and now Bonesaw put us in charge of it for the rest of the days of our lives. It’s cool though, because we found out thatas a teamwe’re actually really good at it. Every Batman has a Robin, every Salt has a Peppa, and every Sherlock has a Watson; it just makes sense to go after ‘em as a duo. During The Ugli Stick’s last set of the eveninground 2amSmell and I decided to shoot some Captain Morgan then head down to the water to swim in the ocean. (Don’t worry mom, we stayed within 10 feet of the shore, and we could stand the whole time). We tried to summon the Kracken (famed sea-beast who allegedly swallows ships whole) by taunting and cussing him, but the scurvy mongrel was too scared to show his face. (That, or he was hundreds of miles away, in the middle of the sea, busying himself with much more challenging prey). The next morning Eric, the lead singer of The Ugli Stick (a.k.a Birdman), treated us to a game of mini-golf. I’ll talk about the drama that ensued in my next letter. Love you, Hoag JUNE 21, 2007 - 1)Louisiana Lightning: Twink, magnet-o'-bad-weather, was driving, Smell was dozing in the co-captain seat, Bonesaw was working on the computer, and I was watching "Lord of War" starring Nicolas Cage. All of a sudden…POP/CRACK/BANG! Maybe it's just 'cause I was watching a movie about guns and AK-47's, but I was convinced we were under attack from those Libyan terrorists from the first "Back to the Future". We weren't. In actuality, a bolt of lightning had struck the ground maybe 5 feet from the Whale. It was so close to hitting the whale that it splashed mud on the windshield. We all screamed every cuss word in our lexicon, regrouped and went back to what we were doing. Smell to his doze, Bone to his emails, and I to my movie. 2) The old guy at Café Firenze in Birmingham: When Bonesaw introduced himself to this friendly patron, the man replied "Bonesaw, eh? (pause). Hell, took me 'til I was 18 to realize my name wasn't dumbass." Later, he offered his thoughts on love and marriage. "I never understood it…$3 to get a marriage license, $350,000 to get divorced." PS-When I tried to log onto myspace just now, it said our account had been temporarily shut down due to too many failed log in attempts. To the spam hackers out there trying to get figure out our password, we want you motherfuckers to know that you will NEVER GET IT. It's too fucked up. Your machines are no match for the randomness of our numbers and letters. Go to church or the devil will get you. Love, Twink, Smell, Bonesaw, and Hoag
Take it easy JUNE 5, 2007 - anyway, hello everybody. here's what my dog Nessie has to say about what Full Service has been up to lately... "Papa said the show at the Flamingo Cantina was a huge success. I cried and cried when he left to go to the club. I begged him to smuggle me in, but he said I was too big to fit in the bass drum, and that the club owners had some sort of "policy" against pets. They call it a policy, I call it an agenda. But anyway, the dudes have been really busy lately. I think they're rehearsing for some type of play that they're putting on in their backyard. Little do they know that I've recently "decorated" the backyard with some little stinky somethings. Heeheheeheee. *sigh*..... Papa keeps saying something about "This Friday, the 8th at 8pm" The other day i ate a copy of an invitation he wrote for the Full Service email list. I've since regurgitated it and pieced it back together, because papa got a little mad. The piece of paper said.... This Friday, the 8th, at 8pm, Full Service will be hosting an evening of Backyard Theater and Music. First, Twink, Bonesaw, Hoag, and their neighbors Daniel and Dominic will perform a short play written by Aimee Gonzalez and Elizabeth Cobbe.The play is about a not-so-typical day at a Middle School. And it's hilarious. Afterwards, Full Service will be performing acoustically. It's $2 to get into the play and concert, and $5 if you want to drink off the keg we're buying. We live at 3601 Wilson St. Austin TX. If you've never used mapquest, this is the perfect time to start! We're near 290 and congress. Anyway, I'm pretty sure this means there will be a lot of strangers on my stomping grounds, which of course means a lot of new butts to sniff. Always down for new butts to sniff. Otherwise, the dudes are keeping busy working on some new material. A lot of new material actually. Papa's been in the jam room a lot lately fooling around with vocal ideas.Most of the songs are done, they just need melodies, which is Papa's favorite thing in the world to do. June 15th they head out for another tour of the Gulf Coast. They'll be back July 2nd. Which means I get to go stay at 8209 Los Ranchos. I love Papa, but I love it when he leaves and I get to stay at 8209. My boyfriend Jake lives over there. He's a really handsome golden retriever. Although last time I stayed there, Jake and I decided to take a walk around the neighborhood when the ladies were out and someone called the police on us. The police came at us aggressively, so we barked a little bit, then they MACED us! It was nuts. Now I've been getting all these eye boogers lately. I wonder if it's because of the mace. Papa says he'll take me to the vet soon." Thanks Nessie. You did a great job. That's all for now folks. See you at the Backyard Theater Night on Friday. I promise to pick up the dog poo. Oh, and the video camera is being fixed, so hopefully we'll be building a whole new library of material to post on youtube. Love hoag
May 24, 2007 - It's been a while since our last show, due to a cancellation in Salem on Monday. But we finally had one last night in Philly. Let's hold off on that for a minute though and talk about the intangibles, the potpourri of Toursaw VI. In the backyard-frisbee-golf department, we have some big news. Smell has been inducted as an official member thanks to his victory over Hoag last week. The rules state that you are only a guest-player until you beat one of the founding members, and Smell did just that. Congratulations to the Young Buck. Motivated by his loss, Hoag has been on a tear lately, beating Smell and Bonesaw in 3 of the last 4 games. Over the last few years, Bonesaw has certainly established himself as the best player, winning maybe 85% of the games he plays against Hoag and Smell. However, Hoag hopes that his recent ability to "enter-the-void", to just let the disc throw itself, indicates a shift in the balance of power. But Bonesaw is not to be taken for granted. He will do everything in his power to reestablish his dominance. In the soccer department, Twinky-P and Bonesaw continue to lose games. Indeed, they haven't won a single game in May, and it might even be possible that they didn't win a game in April. There have been reports of in-fighting on the Tp-B team, with Twink blaming Bonesaw for not being fast enough, and Bonesaw blaming Twink for not being competitive enough. Smell and Hoag, however, continue to communicate effectively on the field, combining for some very, very fancy goals. Off the field is another story…they choose to express themselves via violence and derogatory remarks. Maybe that's the key to a healthy relationship, who knows? And finally, the music department, and last night's acoustic show at the legendary World Café in center city, Philadelphia. Aside from some sound-issues (neither Bonesaw's nor Smell's acoustic guitars have pickups for a direct plug-in, so the sound-guy had to put a mic on them, which caused some occasional, gnarly feedback squeak), the show was of the highest caliber. Some highlights included "You'll Pay", a new song about protecting a Princess from the dangerous forces outside her castle (at whatever the cost), a cover of "Stand By Me", an extremely laid-back version of "Black is Back", and as always, the swashbuckling "Hi-Ho". Many thanks to all the people who came out, some quite unexpectedly. Like Keri Daubler, Mike Yetter, Boogie's parents. And Jane Bernstein from Hoag's days at The Dive. That was out of nowhere. Tonight it's off to New York City for the last show of the tour. It should be a pretty big one, and Twinky-P is more excited than he's ever been in his life, which in itself guarantees that it will be a great time. After that, it's back home for Hoag's reunion with Nessie, the most beautiful dog in the history of dogkind. May 20, 2007 - On Wednesday we drove up through the perfect storm (or as the locals call it, “da pehfik stawm”) to Boston for a show with New England jambanders Lucy Vincent. It was a bumping night, but the greedy little club somehow ended up paying none of the bands any money. The Club starts paying bands only after the club itself takes $400 from the ticket sales at the door. This is the money that your fans spent to see you. The bar is already making $2,000+ from bar sales. That ain’t right. Paradise Lounge gets the gas-face. But Boston does not. The people were great. Major thanks to Rob , who took many trains to come hang with us. And who snores like a sousaphone. And even bigger thanks to our old friend Jordan in Lucy Vincent for inviting us to do the show. Thursday in Providence was kinda tough. Smell and I and Young Whit lost a sudden death overtime soccer match to Bonesaw, Twink and Whit the Elder. Player of the game went to Twiny-P, for fighting through a direct kick to the stones to help his team seal the victory. The show later that night at the Penalty Box was not the best show. But that’s ok. The show in Fitchburg with Ill-Conceived was loud and awesome. Unfortunately we have no video of it. Speaking of which, I realize there have not been a lot of videos lately, and that is because the video camera hasn’t been feeling well. He’s constipated. He can’t eject the tape, if you will. But I’ve got a plan. Don’t worry Brian. Anyway, below is a list of things that happened in the van today, on our way back to Philly: -Sang “On the Wings of Love”, that song you hear a lot in the dentist’s office, 234 times. -I paid my outstanding debt to Smell ($10). When he took the bill from me, Smell actually held it up to the light to check it for being counterfeit. Jerk. -Twink said he doesn’t like the way people wear those blue tooth things in their ears, like a permanent head-set. Hoag agreed. Smell said “I think it’s really slick.” -“Drill Hole”, the small drill-hole in the roof of the whale/womanizing, alcoholic, lounge-singing legend, gave a performance at 9pm. As usual, he wowed the audience with every flip of the collar, every wink of the eye, and every naughty thrust of the hips. Next up, an acoustic show at Philadelphia’s “World Café”. This Wednesday at 6:45pm. May 13, 2007: I’d like to discuss 5 things in this update; what it’s like staying at momsaw and dadsaw’s house here in philly, the show at grape street pub in philly, the show at the saint in new jersey, basketball, and bonesaw’s pronunciation of “suge knight”, the def jam mogul/convicted criminal. Momsaw and Dadsaw’s house = unlimited cheerios and milk, fresh linens and towels, and (exciting only to smell and twink) a basement--because there are no basements in texas due to rocky soil. happy mother’s day, momsaw! The show at grape street in philly = the most efficient soundcheck we’ve ever experienced. I barely got through the first three words of “Save The Last Dance” by the Drifters before the soundlady said “Ok! Front vocal??”. Also, major, major propers to my mom’s friend Gail Simmonds, who had a choice to make: go to bed after a long, long day of work, or come get served. she chose the latter, and she has our unending respect. The show at the saint in New Jersey = smell locking the keys in the car two minutes before we took the stage. after the second song, bonesaw offered a monitary reward to any audience member who could find a coat hanger and break into our car. then twinky-p reminded him that we were in the hood and that “somebody’s probably breaking into the car right NOW.” speaking of the hood, here is David Sha’s monologue on how you know you’re in the hood. (He flew up from Houston for the weekend to hang and perform with us). “big-booty chicks with sweets in they mouth? you in the hood. fried-fish store on the corner? you in the hood. pit-bull on a spike-collar leash? you in the hood. guy probably don’t know shit about dogs and he got a pit bull. little kid runnin, can’t hold up his pants? you in the hood.” And while we’re inside Sha’s head, why not relate this little nugget of wisdom: (after five minutes of absolute silence on our way up to the club in jersey, he takes off his ipod, taps me on the shoulder, and says, “say hoag…let me ask you something…” Here I think he’s gonna talk about a track he’s listening to, or ask me something about the show that night, but what comes is…) “Why in the hell…was that dude on the rhythm guitar last night wearing a sweater-vest? That’s got to be the corniest shit I’ve ever seen. Who in the hell wear's a sweater-vest?” Sha hates sweater-vests. Basketball = Smell and Hoag are on a 16-0 tear. You can’t stop well-timed cuts, crashed boards, and unlimited reservoirs of intensity. And now Twinky-P’s on the D.L. with a shoulder injury. nothing but bad news for the red team. Bonesaw’s pronunciation of “Suge Knight” = "soooj knight." c’mon man. you know better than that. he’s hung people out of balcony windows for worse. May 8, 2007: In the Whale. 5pm first day of Toursaw VI. It’s been sunny the whole day. Twinky-P is in the driver’s seat, listening to Michael Jackson on the iPod that Big Worm stole for him. Smell is in the passenger’s seat, reading a Stephen King book from the early 70’s (his cocaine period) called “The Gunslinger”. It is little more than softcore pornography. Bonesaw is sitting on the first bench writing his 90th email on the computer. Hoag lays splayed out on the back bench twisting a paperclip into various shapes, thinking about Nessie. Suddenly, the sun slides behind some dark clouds, and the sky starts to tinkle. Bonesaw: “Looks like you’re gonna be driving in the rain like old times, Sir Twink” 5 minutes later Twink: “Damn ya’ll it’s lookin nasty up ahead.” 2 minutes later Smell: “Jesus Christ!!” Twink: “Should I pull over? I can’t see shit ya’ll” Hoag sticks the paper clip in the ceiling and sits up in his seat. Hoag: “Oh my God…” An 18 wheeler comes barreling past us to our left. Smell: (incredulous) “That guy doesn’t give a fuck!” Hoag: “We’re dead” Smell: “Keep driving!” Funnel cloud gets larger. Smell: “DRIVE!” Funnel cloud gets larger. Hoag: “Bonesaw! One time in 7th grade I read your diary and stole $10 from your drawer to go to the movies!” Another 18 wheeler rumbles past. Twink: (puts more weight on the gas pedal) “Shiiiiiiiiiiiiiiit”
The tour so far has been really fun. We drove like 12 hours on Wednesday, all the way to mobile, where we stayed at a Red Roof Inn and ate at Golden Corral. Man, finding that Golden Corral was a real blessing. We were practically weeping at the sight of it’s breathtaking Red and Gold signage. We woke up on Thursday and went to the University of South Alabama to do an acoustic takeover and promote the show in Mobile that night at Fabacher’s. While there, we saw a big white sheet tied to some trees that said: “Heaven Only Knows! All White Party, tonight at 10pm. Alpha Kappa Alpha!” We thought at first--like you probably would have, even though you’re a dogthat this was incredibly wrong and racist. We later found out it was harmless, and that everyone was supposed to wear white to the party, and that Alpha Kappa Alpha is actually a black fraternity, so…. Anyway, the campus was kinda dead, so we decided to go to the beach at Dauphin Island. But we had already wasted time at this ill-fated takeover. And Dauphin Island was like 35 minutes away. And we were supposed to meet with a newspaper reporter and a tv crew at 4pm. It was 2pm. We contemplated calling the reporters to see if we could push the meeting back to 500, when lo and behold, they called us first and proposed the same thing. So we went to the beach with lots of time to breath in the salty air, whichI don’t know if you knew, ‘cause I’ve never taken you thereis the best kind of air in the world. At 5 we met up with the reporters and gave them the low-down on our situation. Gave ‘em a little tour of the white whale, too. After the interview we went to Winn-Dixie (Alabama’s H.E.B.) to pick up some ingredients for dinner: Tortillas, mozzarella cheese, onions, tomatoes, and salsa. Bonesaw cooked up a ton of quesadillas on the skillet when we got back to the Red Roof Inn. After that, we played the show, the first in a line of three nights in a row that we would play for 3 hours. It had been a few days since we last jammed, so each of us was a little rusty. Mostly Twink. No offense to our Colombian friend, right girl? We both know that Uncle P is totally awesome. digidigidigidigidigidigidi!!!!! On Friday I woke up with a cold, and didn’t have much of a voice. We went to the beach again to inhale that salty air. It helped a little bit, but my voice was definitely acting funky. After eating this righteous pizza place next to the club (same place we ate last time. Only, Beaux was with us then. I miss Beaux. We all do), we went and jammed for 3 hours. The voice concerns proved to be unnecessary. It wasn’t that bad. The next night was a lot more difficult. For all of us. But playing 3-hour sets is fun. 11-12, 12:30-1:30, and 2-3am. It’s interesting to see what happens in the 3rd hour, from 2-3am. We’re all completely drained, just letting it rip, taking more chances and changing things up. Anyway, Bobby hooks up the most killer sound at that place. He’s sending us a recording of the second night’s 2-3am hour, so remind me to put that up on the website, ok? It was great to see Smell’s uncle Tim’s family again. We stayed with the Taylors last time, too. There’s Uncle Tim, the dad. Aunt Lori, the mom. Landon, the boy (7), and Regan, the girl (5). On Saturday, we went to Regan and Landon’s t-ball games. At her game, Regan hit a ball into the infield. Everyone started to cheer. Then everyone realized that she was running out onto the infield to grab the ball. And wait! She’s running with it to first base! The umpire looks perplexed. Eventually she is called “out”. Which makes sense. Later in the game, while she was playing defense, she ran off the field in the middle of a play to sit with her brother and try some of his sno-cone. It was awesome. Heck, you’d probably do the same thing, wouldn’t ya ness? Aunt Lori cooked us a scrumptious dinner on Saturday night, then it was off to Ft. Walton on Sunday. We didn’t have to play again until Tuesday, so we snuck in to a double feature. Actually we didn’t really “sneak in”. But we kind of did. We all gave Smell some money to buy one ticket, then he let us in the back doors. We like to say we gave ourselves a big discount. That’s not really stealing. Anyway, we saw TMNT and Blades of Glory, both of which were highly entertaining. That night we ate Subway. Almost always a bad choice in my opinion. And the dude working there was a doofus. On Monday we went to the beach with our friend Justin, our friend from high school who’s band we were playing with on Tuesday. Monday night Justin took us to Vinnnie’s Italian Restaurant, where the waiterLarrykept trying to upsell us into freaking oblivion. He asked us if we wanted desert 8 times. 8 times, ness. And last night we played the show with Justin (who is ridiculously nasty at guitar) and his band, The Dog Spankin Monkeys, who have a really cool, soulful style. Justin was actually on stage for our whole set, too. We stretched out a lot of our tunes so he could shred ‘em to death and bring ‘em back to life again. He recorded the set, so remind me again to put up Bobby’s recording, and also this one. Now we’re in Gainsville. It’s Wednesday. While we were in Ft. Walton, Smell was able to recover the Birkenstock’s he left at Justin’s back in January during Toursaw IV, so he rides into Gainesville a new man. Or rather the man he used to be and has now become again. Twinky-P is feeling good, Bonesaw’s got a killer tan, and aside from missing you, I’m in a pretty radical frame of mind, too. That’s all for now, I’ll let you know about things as they happen! Can’t wait to see you again. Don’t piss on the carpet. Love, Hoag Week of South By Southwest Music Festival (3/14-3/18) Normally playing 5 shows in 5 days is not that big of a deal for us. During “Toursaw II: Go West My Young Saws”, we played 13 shows in 12 days. That was kind of a big deal. But 5 shows in 5 days in our home town should have been a piece of cake, a walk in the park (or as a confused Dikembe Mutombo once opined in reference to the Sixers’ chances in the 2001 NBA playoffs: “A walk in the cake”). But combine the following elements, and you are left with one tired band of buccaneers: 1) No parking. Anywhere. At all. Which leads to problem two… 2) Having to haul your loot athwart the endless sea of downtown pavement… 3) Forgetting some piece of equipment you left in the Whale, thus requiring a 15 minute walk to that parking spot you found near Round Rock. SXSW is a 9 trillion-headed monster. There’s so much music going on, it almost turns your ears off. It’s like when Nessie barks so much that it actually starts to sound like she’s not barking at all. So much noise becomes so much silence. In addition, your ears become incapable of distinguishing the good from the bad. “Do I like this? Is this good? Do I like that? Is that good?” I’m not saying I don’t like SXSW, I’m just saying…it’s like asking for a glass of water and being given the South Pacific. “What the hell do I do with this?” Anyway, our big show was at the Dizzy Rooster on Friday the 16th. Our boy David Sha got the crowd freakishly hyped. (Let the video speak for itself) We also did a bunch of acoustic takeovers around town, just to keep things Austin, ya dig? (Video coming soon) The show that our publicist Becca with Bayou Logic Promotions put together was pretty fresh as well. This was a family affair, so we left the profanities at home and brought out all the mellow marshmallows. Sha was on stage with us the whole time, providing some extreeeeeemely flavorful, soulful, R&B-style backups. So full of sabor, in fact, that I started listening to him a little too much and forgetting my own vocal parts. Anyway, speaking of Sha, I’d like to announce a new pronunciation of the word “guitar”, which all members of Full Service and its crew shall use henceforth. No longer is it pronounced gih-TAHR. It is hereby pronounced “GOOD-tahr”. Thanks Sha. On Sunday we wrapped things up with an hour set at the Rockin Tomato. For some reason, despite Friday’s show at the Rooster having the larger crowd, I had the most fun at this show. I’m not sure why. But that’s the case. Many thanks to D for hopping up on the mic. And Iz, I’m glad you could make it out to one of our rare all-ages shows. MARCH 5, 2007 - Hoagman apologizes for his long layoff from text updates. He's been a big video mad (as you can see no our videos page). But he's back with what i hope will be an every sunday update. so check back and here's his latest: anyway, great show over there at the flamingo as always. the place always comes alive, and we're convinced it has something to do with the actual brick of the building, the smell of the wood, the fish on the wall. hope some of ya'll got to see the three other bands. facing fiasco, spin alley, and muchos backflips. facing fiasco was rock solid, spin alley brought a casserole of punk, funk, metal, and perhaps most awesome of all, hip-hop. and of course this crazy band muchos backflips was bananas! very strange. The cancer benefit we did the other day was a huge success. Some of our friends put together a big all-day event to raise money for a friend's recovery. The total donation count was something like $1,500. We played from 4:30 until just about sundown. Playing instruments outside during this time of day, this time of year, in this city, is a very rewarding and calming experience. anyway, congratulations to those girls for making the party such a big success. Aleah, Emily, Amber, Lana, and Kerry. add a saw to all they names! This Wednesday, we will be posting a newly recorded song onto our myspace page. this is what is known in the biz as a little "sneak peak", know what i'm sayin? because the real thing's not coming out for another few weeks after that. And even then, we're only releasing 60 copies for sale with a jewel case and an actual CD. The cover is a copy of a really excellent painting done by local artist Becky Bennet, whose work blows us away. we'll see for yourself, because she's on the front cover, the back cover, and on the actual CD. after those 60 copies are sold, the only way you'll be able to get the songs is off of iTunes. this is not to make it hard for you to get the songs, although as i'm writing this i'm thinking to myself "damn we made it hard for them to get these tunes". but really, we just can't afford to bust out thousands of copies of CDs. AND, who's really buying CD's anymore anway? revolution is spelled i-P-o-d, baby. what else? --Bonesaw recently had surgery to remove a hernia he got from all the sawing he's been doing lately (running marathons, moving mountains, etc). It's weird because for a few days after the surgery, he really couldn't give much to the jams. his core was wasted. at the cancer benefit he just couldn't do the "HERE WE GO AGAIN" from "Black is Back". And man....that really dropped a hole through the song. Poor guy. he's getting better though. --Twink has gone to yoga twice in the last week. we think that's noteworthy for some reason, don't you? what a renaissance man! --Smell is getting dangersouly close to going barefoot no matter the temperture or conditions outside. We know sometimes it's silly, and he's taking unnecessary risks, but at the same time, we really want to see him succeed in this venture. go smell. --I, hoag, have recently become obssessed with the song "Across the Universe" by the Beatles. I don't know if this is common knowledge and i'm being way obvious, but to me it sounds like the song is about the first few minutes of death ("although i don't suppose they have "minutes" in death, do they?) when your brain or consciousness is not really sure what is it. dead or alive? anyway, everyone should reply to this email with the song that they are currently in love with. --hoag
(deleted: hoagman read what I wrote and accused me of being a ‘revisionist historian’ and made me delete my version of the event, leading to another argument that just occurred. So I’ll just say that I’m writing this update and hoagman is doing the videos. And I’m not allowed to ‘use too many exclamation points. . . this dude loves exclamation points’ (turns to Smell). ANYWAY! (exclamation point) We’re driving back from Hattiesburg, MS on our off day here. We drove 2 hours there to do some promotion for our show next week. The plan was to do some takeovers on the Univ of Southern Mississippi campus and try to find somewhere we could play this evening. Course, as soon as we pull into the town it starts to rain. Damn! So we tried unsuccessfully to get (what turned out to be an upscale) restaurant to have us play in the entry way before heading to the Mall. Takeover the mall… why not? First we found the one lonely security guard who was all the way on the opposite end of the mall. We also found a cool atrium that would be PERFECT for an acoustic takeover, so we followed the mall cop until he had done his swing of the atrium area. Enter Twink and Smell with the acoustic guitar and percussion and Beaux with the demos and stickers. BAM! 20 minute concert. Total success. Lots of new fans. Emboldened by this success, we decided to go for broke and hit up the food court. Certain shut-down. But again, what do we have to lose? Everyone was eating, and there was an elevated middle section. Camera rolling, we rushed the ‘stage,’ cleared the tables and launched into “Hi Ho.” The place went silent and everyone was jamming, that is until three security guards bum rushed us with the quickness. As they are running our way smell leans over to me and says “keep going Bonesaw, keep going!” that’s my man! they quickly shut us down, but as hoagman raised his hands in triumph, one dude in army fatigues started clapping, in two seconds the whole place was cheering us as they ushered us out of the mall. Takeover baby! And that is how we make something outta nothing on TourSaw IV. Otherwise, let me just say that Mobile, AL is AWESOME. Mostly because of our man Bacon at Grand Central who is literally the second coolest bar owner ever (Wes at Uncle Flirty’s is tough to beat). Then there was Bobby layin down KILLER sound and good vibes. And of course, Kathy and the Ugli Stick for hooking up the show. We’ll be coming to Mobile often now… too bad the Eagles lost that night. SPORTS UPDATE: As Smell said on Sunday ‘two games of football on the beach in two days in the middle of January? Tour f’n RULES!’ so yes, we’ve been stopping anywhere we can to play some ball. The first game was after 8 hours of driving when we spontaneously pulled off in Biloxi, MS and found a still-ravaged-from-Katrina beach. PERFECT sand, not so perfect performance by me and Twinky-P. Our FS #5 member this tour Beaux flashed some moves that were ‘kinda tricky’ and Hoagman (steady QB with an ankle injury) was on point. 3-2 in favor of Smell and Beaux. Game 2 was a marathon of a game to 7 in the deep sand. Basically, I just wore out Beaux (who almost lost his lunch) and Twink and I executed about 10 perfect screen plays and one hook and lateral to take the win 7-6. Tie-breaker coming soon. . . This van ride is too long. We’re all hungry and getting cranky. Oh dear. . . JANUARY 7, 2007 -On the way home from San Antonio the other night, we started talking about whether it would be possible to put wings on the Whale so it could fly. Not like an airplane, more like some type of floating, Mario-Brothers-esque motion. Would it be possible to realize this vision within, say, a lifetime? We decided that with enough money, brainpower, and dedication, we could do it in one lifetime (defined as ~80 years).
Later the conversation turned towards the afterlife, with Twink positing that nothing happens when you die. There is nothing. Not even nothing. More than nothing. (Or is it less than nothing?). Smell and Hoag didn’t agree, and theorized that the physical matter of our “bodies” goes back into the earth (i.e., we are bio-degradable), and that the metaphysical properties of our “souls” disperses into the universe. “Where in the universe?” asked Twink. Hoag and Smell replied that it spreads out and joins the “unseen essence”.
After that we did impressions of Louis Armstrong. To really get a good Louis Armstrong impression going, you need to reach down into your throat, which can bring you dangerously close to a gag reflex and a dry heave. It’s best to avoid impersonations of Louis Armstrong.
We got home at 2am and (surprise) ate a bunch of cereal.
The show at Ruta Maya in San Antonio was great. It felt like we were playing in someone’s huge living room. People sitting down, drinking coffee or wine, working on laptops. We scaled it down volume-wise a little bit to match the vibe. Euphoria was there with us, and they did us the honor of covering “Oh Kill Me”. Switched it up to a slow dub feel in the beginning, then their guitar player, Austin, ripped a note-for-note replica of Bonesaw’s solo. NEWSFLASHES: 2) Cribs, Episode II has been posted on our myspace page and on youtube. So why are you still reading this?? 3) Seriously, go check out the Cribs episode. OK fine here it is: --Hoag DECEMBER 5, 2006 -It's been a good few weeks for Full Service. Smell and Hoag had a nice little impromptu jam : We played an excellent show at the Ramp Ranch in Liberty Hill for the Bonafide Skateboards skate-demo:
Then the next night we went to Houston for the T-Money Festival. Ghosts of the living put on a hell of a show (see our youtube page), and we met this dude "Sha" who's interested in some type of collaboration. Check him out on our top 8. Here are some clips from the houston show. and our favorite:
Twink and Bonesaw played an incredible game of one-on-one soccer, which we happen to have a video of:
In the meantime, we're working on some new jams. some are sort of heavy, like this one:
...and others are softer. maybe we'll get some video of those later. We have an early show this Thursday at Tambaleo on 5th and Lamar. It's the "Cocktail Rhetoric" talk-show that was postponed a few weeks ago. We're the musical guests, and we'll be playing kinda like this:
Anyway, it's ALL AGES, and it's free. Starts at 7:30, so we'll see you there. unless you're wearing camouflage. November 13, 2006 -The following Full Service update is dedicated to Mr. Timothy Gray, without whose inspiration, this update--or any future update--may never have been written. Did everyone see the new videos? I lost many hours of my life editing those little bastards, so i expect you all to waste minutes of your lives watching them. My top 5 favorite new FS videos: 5) Bonesaw's Battleship solo 4) Twink Slamming hard in his "Red Team" Halloween costume 3) Acoustic version of the never before heard "Imaginary Girl" (FS in formal-wear) 2) Halloween shopping 1) Interview with the Smellman We've been laying low on the shows for a while. It's because my cousin gave me a beat-making program for the computer, and I refuse to leave the house. Download it by clicking here. I'm kidding. It's because Twink fell in love. Or because Smell is on a 14 day bender. Or because bonesaw is in the midst of a 453 mile run and won't be back for a while. In any case, we have a few big ones coming up. And if they aren't big ones at fancy clubs, they're interesting ones at weird places. Below is a chart of upcoming shows with descriptions of why that show will be either big or interesting.
Thursday 11/16 (7pm) @ Tambaleo near 5th and Lamar: INTERESTING, because we are the musical guest for a live talk-show called "Cocktail Rhetoric". We'll be playing acoustic, featuring the hoagmonster on brushes and a snare drum, bonesaw playing an antique Yamaha, twink playing bass sitting down with his legs crossed, and smell at the helm of a very tasteful cowbell/tambourine combo. The show is free, and the talking is random and participatory. Friday 11/17 (6pm) @ Ramp Ranch in Liberty Hill (directions HERE): INTERESTING, because we are the musical guests for a skate demo put on by Texas' own Bonafide Skateboard Co. Bonafide is touring Texas now, and we're joining up with them at the Ranch. $3 and you're in...gnarly tricks and tasty licks. And there's a rumor that Twink will be attempting a reverse gator clutch with a tailspin over five barrells of angry flames. Possibility of death on this one, people.
Saturday 11/18 (10pm) @ Acadia in Houston:
BIG, because Houston always comes out to get served, and because Acadia has a big soundsystem and stage and lights rig, and because we're playing with many big Houston bands. INTERESTING, because it's a fundraiser for the newly emancipated Tony Local, who has serious legal fees to pay off.
Friday 12/1 (10pm) @ Flamingo Cantina in Austin: BIG, because of stage/lights/soundsystem combo, and because you all will be assaulted with various, manipulative advertising strategies that we hope will guarantee your attendence. INTERESTING, because Smell will be playing the "wahka-wahka's" on guitar, Hoag will be performing hands free for 5 minutes, and because the show will feature a break-dancing interlude by the Break-Ninjas, a troupe based in Austin. While we haven't been playing those big club shows, we've been playing pizza-places, parks, colleges, parties (see Halloween videos), weddings (see most recent acoustic videos), and we've been recording a 3-song demo featuring a re-tooled version of "Late January" (with former John Mayer keyboardist Kevin Lovejoy on the organ), and two new ones, "Imaginary Girl" and "Hi-Ho". We will release this precious gems as a downloadable EP entitled "3-Headed Love Monster". I'll leave you with this question: Is there a better song in the world than A-Ha's "Take On Me"? (send replies to hoag@fullservicemusic.com). October 12, 2006 - What have we been up to, you might ask? I mean, obviously not playing shows (although we have a ton coming up, as you can see on the Local page). But what we've really been doing is trying to assemble our 'team.' Why do we need a team when we really are a team already (who want's to play fours in baseketball? anyone? anyone?)? well we need a manager / label / lawyer / and booking agent to take us all the way to the top. So we're working on that. But how? we'll, sometimes it's just writing emails on an off chance that the right people will pay attention. Like this fine email from Hoagman to a potential booking agent. We've played the big venues and festivals here in town. Stubb's, Flamingo Cantina, Antone's, Austin Reggae Festival, Pecan St. Festival. We've recorded 4 albums in 2 years (most recently with Stuart Sullivan of "Meat Puppets" and "Sublime" fame). We've had plenty of media coverage at home and abroad. (see resume) We've had 200 people come out to each of our last 3 shows in town. Our grassroots ethos has garnered us a dedicated and expanding fan base. Sometimes we let the fans get too close. Just this afternoon we recieved an envelope from "your favorite fan" with a baggy inside. It appears to contain some type of hair. But I digress. For two years we've booked our own shows. We've also booked three of our own tours: Two of the east coast, and one of the west coast. But if you've ever been in a band, you are intimately familiar with this fact: Booking sucks. It sucks more than flat tires and indigestion. We fully understand however, that before the Snapple people could get their tasty little beverages into 7 elevens, they had to set up a bunch of freakin lemonade stands. The four of us--Hoag, Bonesaw, Smell, and Twink--have recently come to the conclusion that we've set up our freakin' lemonade stands, and we're ready for some help. Are you down? Our goal is this. We want to join a nice long tour supporting another band. I'm sure other bands want to do the same, but have they toured by themselves first? Three times? Can they set up their gear in 3 minutes and 19 seconds? Would they spend the afternoon before a show walking around Chicago, handing out demos and flyers, hitting up people on the myspace? Or would they sit around and then show up to the club complaining about the sparse crowd? And last but certainly not least...do they get pubic hair sent to them in the mail? Our suitcases are packed, we just need a schedule. Take a look at the attached Resume and think about it over a cup of your favorite tea. Or lemonade. --Hoag, Bonesaw, Smell, and Twink Plenty of other things in the mix too, of course, but for now, rest assured that we're banging out new tunes every day and planning some SERIOUS shows for the fansaws out there soon, so stay in touch. . . -BONESAW |
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